Produced by David Widger [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.] THE SATYRICON OF PETRONIUS ARBITER Complete and unexpurgated translation by W. C. Firebaugh, in which are incorporated the forgeries of Nodot and Marchena, and the readings introduced into the text by De Salas. SIX NOTES BY MARCHENA. TO THE ARMY OF THE RHINE. The conquests of the French have resulted, during this war, in a boon to knowledge and to letters. Egypt has furnished us with monuments of its aboriginal inhabitants, which the ignorance and superstition of the Copts and Mussulmans kept concealed from civilized countries. The libraries of the convents of the various countries have been ransacked by savants and precious manuscripts have been brought to light. By no means the least interesting of the acquisitions is a fragment of Petronius, which we offer to the public, taken from an ancient manuscript which our soldiers, in conquering St. Gall, have sent to us for examination. We have made an important discovery in reading a parchment which contains the work of St. Gennadius on the Duties of Priests, and which, judging from the form of the letters employed, we should say was written in the eleventh century. A most careful examination led us to perceive that the work by this saint had been written on pages containing written letters, which had been almost effaced. We know that in the dark ages it was customary to write ecclesiastical works on the manuscripts containing the best authors of Latinity. At a cost of much labor we have been able to decipher a morsel which we give to the public: and of the authenticity of which there can be no doubt. We render homage to the brave French army to which we owe this acquisition. It is easy to notice that there is a lacuna in that passage of Petronius in which Encolpius is left with Quartilla, looking through a chink in the door, at the actions of Giton and little Pannychis. A few lines below, it relates, in effect, that he was fatigued by the voluptuous enjoyment of Quartilla, and in that which remains to us, there is no mention of the preliminaries to this enjoyment. The style of the Latin so closely resembles the original of Petronius that it is impossible to believe that the fragment was forged.