The origin of courtesans is lost in the deepest antiquity. It appears that it was one of the patriarchal customs to enjoy them, for Judah slept with Thamar, widow of his two sons, and who, to seduce him, disguised herself as a courtesan. Another courtesan, Rahab, played a great role in the first wars of the people of the Lord: it was this same Rahab who married Solomon, father of Boaz, fourth forefather of David, and thirty-second forefather of Jesus Christ, our divine Savior. Yet the eternal sagacity of man has failed to take notice of this profession and to resent the injustice done it by the scorn of men. The elected kings of the people, the man who adopts the word father according to the flesh, are descendants of a courtesan. For the rest, it must be admitted that many who follow this noble profession are unworthy of it and only too well justify the ignominy which is levelled against the entire class. You see these miserable creatures with livid complexions and haggard eyes, with voices of Stentor, breathing out at the same time the poisons which circulate in their veins and the liquors with which they are intoxicated; you see on their blemished and emaciated bodies, the marks of beings more hideous than they (twenty come to satisfy their brutal passions for every one of them); you listen to their vile language, you hear their oaths and revolting expressions: to go to these Megeres is often to encounter brigands and assassins: what a spectacle! It is the deformity of vice in the rags of indigence. Ah! But these are not courtesans, they are the dregs of cities. A courtesan worthy of the name is a beautiful woman, gracious and amiable, at whose home gather men of letters and men of the world; the first magistrates, the greatest captains: and who keeps men of all professions in a happy state of mind because she is pleasing to them, she inspires in them a desire for reciprocal pleasure: such an one was Aspasia who, after having charmed the cultured people of Athens was for a long time the good companion of Pericles, and contributed much, perhaps, towards making his century what it was, the age of taste in arts and letters. Such an one also was Phryne, Lais, Glycera, and their names will always be celebrated; such, also, was Ninon d'Enclos, one of the ornaments of the century of Louis XIV, and Clairon, the first who realized all the grandeur of her art; such an one art thou, C-----, French Thalia, who commands attentions, I do not say this by way of apology but to share the opinion of Alceste.