Frontier and pioneer life -- New Mexico -- Juvenile fiction; New Mexico -- Social life and customs -- 19th century -- Juvenile fiction
"My fingers! how white and thin they are! and my nails, blue, and long
as the talons of a bird! I have a beard! I feel it on my chin. What
gave me a beard? I never wear it; I will shave it off--ha! my
moustache!"
I was wearied, and slept again.
------------------------------------------------------------------------
Once more my eyes were tracing the figures upon the curtains: the
knights and dames, the hounds, hawks, and horses. But my brain had
become clearer, and music was flowing into it. I lay silent, and
listened.
The voice was a female's. It was soft and finely modulated. Someone
played upon a stringed instrument. I recognised the tones of the
Spanish harp, but the song was French, a song of Normandy; and the words
were in the language of that romantic land. I wondered at this, for my
consciousness of late events was returning; and I knew that I was far
from France.
The light was streaming over my couch; and, turning my face to the
front, I saw that the curtains were drawn aside.
I was in a large room, oddly but elegantly furnished. Human figures
were before me, seated and standing.
After looking steadily for a while, my vision became more distinct and
reliable; and I saw that there were but three persons in the room, a man
and two females.
I remained silent, not certain but that the scene before me was only
some new phase of my dream. My eyes wandered from one of the living
figures to another, without attracting the attention of any of them.
They were all in different attitudes, and occupied differently.
Nearest me was a woman of middle age, seated upon a low ottoman. The
harp I had heard was before her, and she continued to play. She must
have been, I thought, when young, a woman of extreme beauty. She was
still beautiful in a certain sense. The noble features were there,
though I could perceive that they had been scathed by more than ordinary
suffering of the mind.
She was a Frenchwoman: an ethnologist could have told that at a glance.
Those lines, the characteristics of her highly gifted race, were easily
traceable. I thought there was a time when that face had witched many a
heart with its smiles. There were no smiles on it now, but a deep yet
intellectual expression of melancholy. This I perceived, too, in her
voice, in her song, in every note that vibrated from the strings of the
instrument.
My eye wandered farther. A man of more than middle age stood by the
table, near the centre of the room. His face was turned towards me, and
his nationality was as easily determined as that of the lady. The high,
florid cheeks, the broad front, the prominent chin, the small green cap
with its long peak and conical crown, the blue spectacles, were all
characteristics. He was a German.
Public-domain text, read in full here on John Shaqi.
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