The Scaring off of Teddy Dawson: A Comedy in One Act — John Shaqi
The Scaring off of Teddy Dawson: A Comedy in One ActBrighouse, Harold
General
The Scaring off of Teddy Dawson: A Comedy in One Act
Brighouse, Harold
Courtship -- Drama; English drama -- 20th century; Families -- Drama; London (England) -- Drama
THE SCARING OFF OF TEDDY DAWSON
A Comedy In One Act
By Harold Brighouse
London: Samuel French, Ltd
1911
[Illustration: 0007]
THE SCARING OFF OF TEDDY DAWSON
_Living room of a small house in an East End sidestreet. Door direct to
street back centre. Next it, window. Door to house l. Kitchen range R.
Dresser with crockery l. Centre is a table. Four deal chairs. At the
table Polly Bettesworth is ironing as the curtain rises. She is no more
than fifty, but a hard life has aged her in appearance beyond her years.
A cheap serge skirt and a dark printed blouse, with elastic-sided boots,
form her visible attire. Her husband (Andrew) throws open the door c.
and enters rapidly from street. He is a navvy, dressed in corduroy, with
a leather belt, and is in his shirt sleeves, having been to the nearest
public for the supper beer, which is in a large jug in his hand He is a
large man, and Polly seems small by con-start. It is evening, but still
light._
*****
Andrew (_angrily_). Where's our Liza?
Polly. What do yer want 'er for?
Andrew (_closing door_). I'm goin' to tan 'er 'ide for 'er.
Polly. What's to do? (_Calmly continuing ironing_)
Andrew (_crossing to door l._). I'll put beer in back to keep cool an'
then I'll tell yer. (_Opens left door, leaves jug inside and closes door
again._) Now, do yer know wot I've bin 'earing in the _Bluebell_ abart
our Liza?
Polly. Tell me.
Andrew. Liza's started courtin'! That's wot that whistlin's bin as we've
bin 'earing so much lately.
Polly (_stopping ironing_). Courtin'! At 'er age?
Andrew. It's Gawd's truth. Wait while I catch the bloke wot's after 'er.
I'll skin 'im alive.
Polly (_sitting_). Liza courtin'! I don't know wot things is comin' to
nowadays. Young girls are gettin' a set of forward hussies that haven't
hardly laid by their skipping-ropes afore they're thinkin' they're ould
enough to get wed. I fancied we'd brought 'er up different to that.
Andrew. I'll fancy 'er--'er an' 'er fancy man, an' all. I'll teach 'im
to come round 'ere whistling for our Liza. We ain't partin' with Liza
yet. She's the only 'un left to us now.
Polly. Yus. T'other girls went off a sight too young. Fust Martha an'
then Sally must be havin' their blokes an' gettin' wed. But I didn't
think it of Liza. She's kept 'er mouth shut. Them quiet 'uns are always
deep.
Andrew. Nature 'ull 'ave its way with 'em so what you do. (_Fiercely._)
But I'll spoil this chap's little game. I don't like 'im, not arf like
'im I don't.
Polly. Who is 'e?
Andrew. Teddy Dawson's 'is name.
Polly (_rising_). Teddy Dawson! Wild as they make 'em that chap is. 'E's
after no good with Liza.
Andrew. I'll mar 'is good looks if I catch 'im. 'E'll not be so keen on
comin' an' whistlin' at street corner like a canary in a fit. And I'll
give Liza the taste of my strap an' all.
Polly (_firmly_). Yer'll not touch the girl. Andrew.
Andrew. Who won't?
Polly. I'll give 'er a piece of my mind.
Andrew. An' I'll give 'er a piece of my belt.
Public-domain text, read in full here on John Shaqi.
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