Africa, North -- History -- 647-1517 -- Fiction; Vandals -- Fiction
Among more than a hundred buildings in the grove, two near the Southern
Gate of the city were specially conspicuous: the Old Circus and the
Amphitheatre of Theodosius.
The Old Circus had been erected in the period of the greatest
prosperity of Carthage, the whole spacious structure, with its eighty
thousand seats, was planned to accommodate its great population. Now
most of the rows stood empty; many of the Roman families, since the
Vandal conquest, had moved away, been driven forth, exiled. The rich
bronze ornaments of numerous single seats, rows, and boxes had been
broken off. This was done not by the Vandals, who did not concern
themselves about such trifles, but by the Roman inhabitants of the city
and by the neighboring peasants; they even wrenched off and carried
away the marble blocks from the buildings in the grove. The granite
lower story, a double row of arches, supported the rows of marble
seats, which rose from within like an amphitheatre. Outside, the Circus
was surrounded by numerous entrances and outside staircases, besides
niches occupied as shops, especially workshops, cookshops, taverns, and
fruit booths. Here, by night and day, many evil-minded people were
always lounging; from the larger ones, hidden by curtains from the eyes
of the passing throng, cymbals and drums clashed, in token that,
within, Syrian and Egyptian girls were performing their voluptuous
dances for a few copper coins. South of the Circus was a large lake,
fed with sea-water from the "Stagnum," whose whole contents could be
turned into the amphitheatre directly adjoining it.
CHAPTER XI
The sultry heat of an African summer day still brooded over the whole
grove, although the sun had long since sunk into the sea, and the brief
twilight had passed into the darkness of night. But the full moon was
already rising above the palm-trees, pouring her magical light over
trees, bushes, meadows, and water; over the marble statues which
gleamed fantastically out of the darkest, blackish-green masses of
shrubbery; and over the buildings, which were principally of white or
light-colored stone.
In the more distant portions of the grove Diana's soft silvery light
ruled alone, and here deep, chaste silence reigned, interrupted only
here and there by the note of some night bird. But near the gate, in
the two great main buildings, and on the turf and in the gardens
surrounding them, the noisy uproar of many thousands filled the air.
All the instruments known at the time were playing discordantly,
drowning one another. Cries of pleasure, drunkenness, even rage and
angry conflict, were heard in the Roman, the Greek, the Moorish, and
especially the Vandal tongue; for perhaps the largest and certainly the
noisiest "guests of the grove," as the companions in these pleasures
called themselves, belonged to the race of conquerors, who here gave
vent to all their longing and capacity for pleasure.
Public-domain text, read in full here on John Shaqi.
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