Families -- Fiction; Forgery -- Fiction; New York (N.Y.) -- Fiction
The residence of the Reverend John Swinton was on Riverside Drive,
although the parish of which he was the rector lay miles away, down in
the heart of the East Side. It was thus that he compromised between his
own burning desire to aid in the cleansing of the city's slums and the
social aspirations of his wife. The house stood on a corner, within
grounds of its own, at the back of which were the stables and the
carriage-house. A driveway and a spacious walk led to the front of the
mansion; from the side street, a narrow path reached to the rear
entrance.
A visitor to-night chose this latter humble manner of approach, for the
simple reason that this part of the grounds lay unlighted, and he hoped,
therefore, to pass unobserved through the shadows. The warm, red light
that streamed from an uncurtained French window on the ground floor only
deepened the uncertainty of everything. The man stepped warily, closing
the gate behind him with stealthy care, and crept forward on tiptoe to
lessen the sound of the crunching gravel beneath his heavy shoes. It was
an undignified entry for an officer of the law who carried his
authorization in his hand; but courage was not this man's strong point.
His fear was lest he should meet tall, stalwart Dick Swinton, who, on a
previous occasion of a similar character, had forcibly resented what he
deemed an unwarrantable intrusion on the part of a shabby rascal. The
uncurtained window now attracted the attention of the sheriff's officer,
and he peered in. It was the rector's study.
The rector himself was seated with his back toward the window, at his
desk, upon which were piled account-books and papers in hopeless
confusion. A shaded lamp stood upon the centre of the table, and threw a
circle of light which included the clergyman's silver-gray hair, his
books, and a figure by the fireside--a handsome woman resplendent in
jewels and wearing a low-cut, white evening gown--Mary Swinton, the
rector's wife. The room was paneled, and the shadows were deep, relieved
by the glint of gilt on the bindings of the books that filled the shelves
on the three sides. The fireplace was surmounted by a carved mantel, upon
which stood two gilt candelabra and a black statuette. The walls were
burdened by scarce a single picture, and the red curtains at the windows
were only half-drawn. On looking in, the impression given was one of
luxury and of artistic refinement, an ideal room for a winter's night, a
place for retirement, peace and repose.
Public-domain text, read in full here on John Shaqi.
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