The Schoolmistress: A Farce in Three Acts — John Shaqi
The Schoolmistress: A Farce in Three ActsPinero, Arthur Wing
General
The Schoolmistress: A Farce in Three Acts
Pinero, Arthur Wing
Comedy plays; English drama -- 19th century
TYLER.
The cab's a-waitin', ma'am. [_Miss Dyott takes Queckett's arm._]
THE GIRLS.
Good-bye, Miss Dyott. [_Miss Dyott and Queckett go out through the hall.
Peggy, Ermyntrude, and Gwendoline run over to the windows and look out.
Dinah sits apart, thinking._]
ERMYNTRUDE.
There they are!
GWENDOLINE.
Miss Dyott's in the cab!
PEGGY.
She's off.
THE THREE.
Hurrah! Hurrah! [_Queckett returns, the Girls surround him
demonstratively._]
PEGGY.
Dinah--young ladies--[_pointing to Queckett_]--Uncle Vere!
ERMYNTRUDE AND GWENDOLINE.
[_Together._] Uncle Vere! Uncle Vere! [_Queckett tries to maintain
his dignity, and pushes the girls from him. Tyler, with Jane, is seen
letting off a squib in the hall._]
END OF THE FIRST ACT.
THE SECOND ACT
_The scene is a plain-looking schoolroom t Miss Dyott's. Outside the two
windows runs a narrow balcony, and beyond are seen the upper stories and
roofs of the opposite houses. There are two doors facing each other. The
room is decorated for the occasion with holly and evergreen, and a table
is laid with supper. Peggy is standing on a chair, with a large hammer
in her hand, nailing up holly._
PEGGY.
[_Surveying her work._] There! I'm sure Miss Dyott wouldn't recognise
the dull old class-rooms. [_Descending._] I think it's time I dressed.
[_Queckett enters slowly; he is in a perfectly fitting evening dress,
with a flower in his button-hole, but looks much depressed. He and Peggy
regard each other for a moment silently._] Oh, I'm so glad you're ready
early! How good it makes one feel, giving pleasure to others--doesn't
it? Aren't you well?
QUECKETT.
Yes--no. I deeply regret plunging into the vortex of these festivities.
PEGGY.
Oh, I suppose you're nervous in society.
QUECKETT.
[_Drawing himself up!_] Nervous in society, Miss Hesslerigge?
PEGGY.
What do you think of the decorations? Artistic, aren't they?
QUECKETT.
A treat at a Sunday School!
PEGGY.
Then you shouldn't have locked up the rooms downstairs.
QUECKETT.
I daren't allow the neighbours to see the house lighted up downstairs. I
wish I could have locked up all you vexing girls.
PEGGY.
That's not the spirit to give a party in! [_Contemplating the table._]
How many do you think your friend, Mr. Mallory, will bring?
QUECKETT.
I don't think Mr. Mallory will find his way here at all. Have you
observed the fog?
PEGGY.
Is it foggy?
QUECKETT.
You can't see your hand before you outside. I sincerely hope my friend
will _not_ come.
PEGGY.
There's hospitality! Ours will.
QUECKETT.
Who _is_ your friend?
PEGGY.
Mr. Paulover.
QUECKETT.
And who the devil is--
PEGGY.
I don't think that's the language for a party, Mr. Queckett!
QUECKETT.
I beg your pardon. Who _is_ Paulover? [_Tyler enters with a bill
in-his hand, with his hair stiffly brushed and greased, and wearing an
expression of intense wonderment._] What's this?
TYLER.
A beautiful large lobster salid is come, sir.
QUECKETT.
Public-domain text, read in full here on John Shaqi.
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