The schoolmistress, and other storiesChekhov, Anton Pavlovich
General
The schoolmistress, and other stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction; Short stories
Snow was falling as heavily as the day before; it was thawing. Thrusting
his hands into his sleeves, shuddering and frightened at the noises,
at the trambells, and at the passers-by, Vassilyev walked along Sadovoy
Street as far as Suharev Tower; then to the Red Gate; from there he
turned off to Basmannya Street. He went into a tavern and drank off
a big glass of vodka, but that did not make him feel better. When he
reached Razgulya he turned to the right, and strode along side streets
in which he had never been before in his life. He reached the old bridge
by which the Yauza runs gurgling, and from which one can see long rows
of lights in the windows of the Red Barracks. To distract his spiritual
anguish by some new sensation or some other pain, Vassilyev, not knowing
what to do, crying and shuddering, undid his greatcoat and jacket and
exposed his bare chest to the wet snow and the wind. But that did not
lessen his suffering either. Then he bent down over the rail of the
bridge and looked down into the black, yeasty Yauza, and he longed to
plunge down head foremost; not from loathing for life, not for the sake
of suicide, but in order to bruise himself at least, and by one pain to
ease the other. But the black water, the darkness, the deserted banks
covered with snow were terrifying. He shivered and walked on. He walked
up and down by the Red Barracks, then turned back and went down to a
copse, from the copse back to the bridge again.
“No, home, home!” he thought. “At home I believe it’s better...”
And he went back. When he reached home he pulled off his wet coat and
cap, began pacing round the room, and went on pacing round and round
without stopping till morning.
VII
When next morning the artist and the medical student went in to him,
he was moving about the room with his shirt torn, biting his hands and
moaning with pain.
“For God’s sake!” he sobbed when he saw his friends, “take me where you
please, do what you can; but for God’s sake, save me quickly! I shall
kill myself!”
The artist turned pale and was helpless. The medical student, too,
almost shed tears, but considering that doctors ought to be cool and
composed in every emergency said coldly:
“It’s a nervous breakdown. But it’s nothing. Let us go at once to the
doctor.”
“Wherever you like, only for God’s sake, make haste!”
“Don’t excite yourself. You must try and control yourself.”
The artist and the medical student with trembling hands put Vassilyev’s
coat and hat on and led him out into the street.
“Mihail Sergeyitch has been wanting to make your acquaintance for a long
time,” the medical student said on the way. “He is a very nice man and
thoroughly good at his work. He took his degree in 1882, and he has
an immense practice already. He treats students as though he were one
himself.”
“Make haste, make haste!...” Vassilyev urged.
Public-domain text, read in full here on John Shaqi.
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