The schoolmistress, and other storiesChekhov, Anton Pavlovich
General
The schoolmistress, and other stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction; Short stories
Supper began over again. The cork flew with a bang out of the second
bottle, and my aunt swallowed half a glassful at a gulp, and when my
wife went out of the room for a moment my aunt did not scruple to drain
a full glass. I was drunk both with the wine and with the presence of a
woman. Do you remember the song?
“Eyes black as pitch, eyes full of passion,
Eyes burning bright and beautiful,
How I love you,
How I fear you!”
I don’t remember what happened next. Anyone who wants to know how love
begins may read novels and long stories; I will put it shortly and in
the words of the same silly song:
“It was an evil hour
When first I met you.”
Everything went head over heels to the devil. I remember a fearful,
frantic whirlwind which sent me flying round like a feather. It lasted
a long while, and swept from the face of the earth my wife and my aunt
herself and my strength. From the little station in the steppe it has
flung me, as you see, into this dark street.
Now tell me what further evil can happen to me?
AFTER THE THEATRE
NADYA ZELENIN had just come back with her mamma from the theatre where
she had seen a performance of “Yevgeny Onyegin.” As soon as she reached
her own room she threw off her dress, let down her hair, and in her
petticoat and white dressing-jacket hastily sat down to the table to
write a letter like Tatyana’s.
“I love you,” she wrote, “but you do not love me, do not love me!”
She wrote it and laughed.
She was only sixteen and did not yet love anyone. She knew that an
officer called Gorny and a student called Gruzdev loved her, but now
after the opera she wanted to be doubtful of their love. To be unloved
and unhappy--how interesting that was. There is something beautiful,
touching, and poetical about it when one loves and the other is
indifferent. Onyegin was interesting because he was not in love at all,
and Tatyana was fascinating because she was so much in love; but if they
had been equally in love with each other and had been happy, they would
perhaps have seemed dull.
“Leave off declaring that you love me,” Nadya went on writing, thinking
of Gorny. “I cannot believe it. You are very clever, cultivated,
serious, you have immense talent, and perhaps a brilliant future awaits
you, while I am an uninteresting girl of no importance, and you know
very well that I should be only a hindrance in your life. It is true
that you were attracted by me and thought you had found your ideal in
me, but that was a mistake, and now you are asking yourself in despair:
‘Why did I meet that girl?’ And only your goodness of heart prevents you
from owning it to yourself....”
Nadya felt sorry for herself, she began to cry, and went on:
“It is hard for me to leave my mother and my brother, or I should take a
nun’s veil and go whither chance may lead me. And you would be left free
and would love another. Oh, if I were dead!”
Public-domain text, read in full here on John Shaqi.
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