The science of beauty, as developed in nature and applied in artHay, D. R. (David Ramsay)
Philosophy
The science of beauty, as developed in nature and applied in art
Hay, D. R. (David Ramsay)
Aesthetics; Nature (Aesthetics); Proportion (Art)
D. R. HAY.
CONTENTS.
PAGE
INTRODUCTION 1
THE SCIENCE OF BEAUTY, EVOLVED FROM THE HARMONIC LAW OF NATURE,
AGREEABLY TO THE PYTHAGOREAN SYSTEM OF NUMERICAL RATIO 15
THE SCIENCE OF BEAUTY, AS APPLIED TO SOUNDS 28
THE SCIENCE OF BEAUTY, AS APPLIED TO FORMS 34
THE SCIENCE OF BEAUTY, AS DEVELOPED IN THE FORM OF THE HUMAN HEAD
AND COUNTENANCE 54
THE SCIENCE OF BEAUTY, AS DEVELOPED IN THE FORM OF THE HUMAN FIGURE 61
THE SCIENCE OF BEAUTY, AS DEVELOPED IN COLOURS 67
THE SCIENCE OF BEAUTY APPLIED TO THE FORMS AND PROPORTIONS OF
ANCIENT GRECIAN VASES AND ORNAMENTS 82
APPENDIX, NO. I. 91
APPENDIX, NO. II. 99
APPENDIX, NO. III. 100
APPENDIX, NO. IV. 100
APPENDIX, NO. V. 104
APPENDIX, NO. VI. 105
ILLUSTRATIONS.
PLATES
[Illustration: I. Three Scales of the Elementary Rectilinear Figures,
viz., the Scalene Triangle, the Isosceles Triangle, and the Rectangle,
comprising twenty-seven varieties of each, according to the harmonic
parts of the Right Angle from ¹⁄₂ to ¹⁄₁₆.
_D. R. Hay delᵗ._ _G. Aikman sc._]
[Illustration: II. Diagram of the Rectilinear Orthography of the
Principal Front of the Parthenon of Athens, in which its Proportions are
determined by harmonic parts of the Right Angle.
_D. R. Hay delᵗ._ _G. Aikman sc._]
[Illustration: III. Diagram of the Rectilinear Orthography of the
Portico of the Temple of Theseus at Athens, in which its Proportions are
determined by harmonic parts of the Right Angle.
_D. R. Hay delᵗ._ _G. Aikman sc._]
[Illustration: IV. Diagram of the Rectilinear Orthography of the East End
of Lincoln Cathedral, in which its Proportions are determined by harmonic
parts of the Right Angle.
_D. R. Hay delᵗ._ _G. Aikman sc._]
[Illustration: V. Four Ellipses described from Foci, determined by
harmonic parts of the Right Angle, shewing in each the Scalene Triangle,
the Isosceles Triangle, and the Rectangle to which it belongs.
_D. R. Hay delᵗ._ _G. Aikman sc._]
[Illustration: VI. The Composite Ellipse of ¹⁄₆ and ¹⁄₈ of the Right
Angle, shewing its greater and lesser Axis, its various Foci, and the
Isosceles Triangle in which they are placed.
_D. R. Hay delᵗ._ _G. Aikman sc._]
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