The science of beauty, as developed in nature and applied in artHay, D. R. (David Ramsay)
Philosophy
The science of beauty, as developed in nature and applied in art
Hay, D. R. (David Ramsay)
Aesthetics; Nature (Aesthetics); Proportion (Art)
I find it necessary in this place to go into some details regarding
the specific character of the two latter figures, because the proper
mode of describing these beautiful curves, and their high value in the
practice of the architectural draughtsman and ornamental designer, seem
as yet unknown. In proof of this assertion, I must again refer to Mr
Penrose’s great work published by the “Society of Dilettanti.” At page
52 of that work it is observed, that “by whatever means an ellipse is to
be constructed mechanically, it is a work of time (if not of absolute
difficulty) so to arrange the foci, &c., as to produce an ellipse of any
exact length and breadth which may be desired.” Now, this is far from
being the case, for the method of arranging the foci of an ellipse of any
given length and breadth is extremely simple, being as follows:—
Let A B C (figure 1) be the length, and D B E the breadth of the desired
ellipse.
[Illustration: Fig. 1.]
Take A B upon the compasses, and place the point of one leg upon E and
the point of the other upon the line A B, it will meet it at F, which is
one focus: keeping the point of the one leg upon E, remove the point of
the other to the line B C, and it will meet it at G, which is the other
focus. But, when the proportions of an ellipse are to be imparted by
means of one of the harmonic angles, suppose the angle of (¹⁄₃), then the
following is the process:—
Let A B C (figure 2) represent the length of the intended ellipse.
Through B draw B _e_ indefinitely, at right angles with A B C; through C
draw the line C _f_ indefinitely, making, with B C, an angle of (¹⁄₃).
Take B C upon the compasses, and place the point of one leg upon D where
C f intersects B _e_, and the point of the other upon the line A B, it
will meet it at F, which is one focus. Keeping the point of one leg still
upon D, remove the point of the other to the line B C, and it will meet
it at G, which is the other focus.
[Illustration: Fig. 2.]
The foci being in either case thus simply ascertained, the method of
describing the curve on a small scale is equally simple.
[Sidenote: Plate V.]
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