The Scientific Tourist through Ireland: in which the traveller is directed to the principal objects of antiquity, art, science & the picturesque — John Shaqi
The Scientific Tourist through Ireland: in which the traveller is directed to the principal objects of antiquity, art, science & the picturesqueWalford, Thomas
History
The Scientific Tourist through Ireland: in which the traveller is directed to the principal objects of antiquity, art, science & the picturesque
Walford, Thomas
Ireland -- Description and travel
It is impossible to tread the green sod of _Erin_, without a
considerable portion of antiquarian enthusiasm,--at least not to
traverse her wilds, without a portion of that spirit, even though we
may be tempted to deny that extreme antiquity of record drawn from the
earliest periods, and claimed by the _Old Irish_ in the indulgence of
their national vanity. But the true enthusiast requires not always
absolute historical proof to justify his feelings; and it is well
that he does not; for then many of his aërial pictures must fade from
existence; and the sober truth certainly is, as the elaborate Leland
has expressed himself, that it cannot be denied that no literary
monuments, to confirm tradition, have yet been discovered in Ireland
earlier than the introduction of Christianity into that country; and
that the evidence of any transactions previous to that period, rests
entirely on the credit of Christian writers, and their collections
from old poets, or their transcripts of records deemed to have been
made in times of paganism. It seems indeed, as he adds, unreasonable
to expect that any other domestic evidence of Irish antiquity should
subsist at this day; but from these the antiquary forms a regular
history of a long succession of kings and of romantic events from the
earlier ages of the world. Still do these details impart considerable
interest to the scenes where they are supposed to have been acted; and
from the poetical annals that furnish the catalogue of monarchs, we
have a lively picture of manners, most certainly of great antiquity,
however low we reduce the scale of chronology, and highly worthy of
attention, even though we smile at the tales connected with them,
with a most profuse intermixture of giants, necromancers, obscure
allegories, and extravagant fables. In those annals, we have an
animated picture of a brave people, driven from their native land in
search of new settlements, establishing themselves by their valour
in a fair and fertile island; the chieftains parcelling out lands
to their attendants, and the whole collection of adventurers, from
the moment of their peaceful establishment, devising means to give
stability to their acquisitions. As a bond of unity to the whole,
they elect a monarch; but preserve their own individual sovereignty
in their domains, forming a complete feudal system, and filling the
land with little courts where politeness and chivalry, attended by
poetry and romance, went hand in hand. Such is the sketch which
arises from Leland's masterly delineation; who adds, that in this
state of things a robust frame of body, a vehemence of passion, an
elevated imagination, were the characteristics of the people; whilst
noble instances of valour, generous effusions of benevolence, ardent
resentments, desperate and vindictive outrages, abound in their annals.
From hence too it is that scarcely a romantic dell or simple green
knoll exists without its traditionary tale; sometimes stained with
Public-domain text, read in full here on John Shaqi.
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