The Scottish Cavalier: An Historical Romance, Volume 1 (of 3)Grant, James
History
The Scottish Cavalier: An Historical Romance, Volume 1 (of 3)
Grant, James
Scotland -- History -- 1649-1660 -- Fiction
Opposite sat her grand-aunt, Lady Grizel, a tall, stately, and at
first sight, grim old dame, as stiff as a tremendous boddice, a skirt
of the heaviest brocade, the hauteur of the age, and an inborn sense
of much real and more imaginary dignity, could make her. Frizzled
with the nicest care, her lint-white locks were all drawn upwards,
thus adding to the dignity of her noble features, though withered by
care and blanched by time; and the healthy bloom of the young girl
near her made the contrast between them greater: it was the summer
and the winter of life contrasted. Lady Grizel's forehead was high,
her nose decidedly aquiline, her eyes grey and keen, her brows a
perfect arch. Though less in stature, and softer in feature, her
kinswoman strongly resembled her; and though one was barely eighteen,
and the other bordering on eighty, their dresses were quite the same;
their gorgeously flowered brocades, their vandyked cuffs, high
collars, and red-heeled shoes, were all similar.
As was natural in so young a man, Walter Fenton remarked only the
younger lady, whose quick, small hands toyed with a flageolet, and a
few leaves of music, while her more industrious grand-aunt was busily
urging a handsome spinning-wheel, the silver and ivory mountings of
which flashed in the light of the fire, as it sped round and round.
Close at her feet lay an aged staghound, that raised its head and
erected its bristles at times, as if aware that foes were nigh.
There was such an air of happiness and domestic comfort in that noble
old chamber-of-dais, that the young volunteer felt extremely loth to
be one of those who should disturb it; but fairly opposite the
glowing fire, in the most easy chair in the room, (a great cushioned
one, valanced round with silken bobs,) sat he of whom they were in
search, and whom the macer had pronounced so worthy of martyrdom.
He was a spare but athletic man, above the middle height; his blue
bonnet hung on a knob of his chair, and his straight dark hair hung
in dishevelled masses around his lean, lank visage, and sallow neck.
His face was gaunt, with red and prominent cheek-bones; his eyes
intensely keen, penetrating, and generally unsettled in expression.
He wore clerical bands falling over that part of his heavily skirted
and wide-cuffed coat, where lapelles would have been had such been
the fashion of the day; his breeches and spatterdashes were of rusty
grey cloth; his large eyes seemed fixed on vacancy, and his hands
were clasped on his left knee. When he spoke his whole face seemed
to be convulsed by a spasm.
"Maiden," said he, reproachfully, "and ye will not accompany me in
the godly words of Andro Hart's Scottish metre?"
"Think of the danger of being overheard, Mr. Bummel," urged the young
lady. "I will sing you my new song, the _Norlan' Harp_."
"Name it not, maiden, for thy profane songs sound as abomination in
my ears!"
Lilian Napier laughed merrily, and all her white teeth glittered like
pearls.
Public-domain text, read in full here on John Shaqi.
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