The Scottish Cavalier: An Historical Romance, Volume 1 (of 3)Grant, James
History
The Scottish Cavalier: An Historical Romance, Volume 1 (of 3)
Grant, James
Scotland -- History -- 1649-1660 -- Fiction
As he set it down, a noise behind made him turn sharply round and
listen; nothing was visible but the dark stains of the wainscotting,
and its gilded pannels glistening ruddily in the glow of the fire.
From an antique brass sconce on the wall, the light of three great
candles burned steadily on the old discoloured floor, the massively
jointed arch of the fire-place, which bore a legend in Saxon
characters, on three old pictures by Jamieson, of cavaliers in
barrelled doublets, high ruffs, and peaked beards, and one of the
famous Barbara Napier of Bruntisfield, who so narrowly escaped the
stake for her sorceries, on a spectral suit of mail, and six old
heavily carved chairs, ranged against the wall like grotesque gnomes
with their arms akimbo; but although nothing was visible to create
alarm, the aspect of the chamber was so gloomy, that certain tales of
a spectre cavalier who haunted the old house, began to flit through
Walter's mind, and he could not resist listening intensely; still not
a sound was heard, but the wind rumbling in the hollow vent, and the
creaking of the turret vanes overhead.
"Tush!" said he, and whether it was the faint echo of his own voice
or a sound again behind the wainscot, he knew not, but he palpably
heard something that made him bring the hilt of his long rapier more
readily to hand. The portraits, like all those of persons whom one
knows to have been long dead, when viewed by the dim candle-light had
a staring, desolate, and ghastly expression, and they really seemed
to "frown" over their high ruffs on the intruder, who would probably
have frowned in return, had he not, even in the harsh lines of the
old Scottish artist traced a family likeness to the soft features of
Lilian Napier. But there was a stern, keen and malignant expression
in the features of the old sorceress, Lady Barbara, that made Walter
often avert his eyes, for her sharp features seemed to start from the
pannel instinct with life and mockery.
As sleep weighed down the eyelids of Walter, strange fancies pressed
thick and fast, though obscurely, on his mind; and though once or
twice the same faint hollow sound made him start and take another
survey of the apartment by the dim light of the sconce and dying
embers of the fire, his head bowed down on the table, and at last he
slumbered soundly.
Public-domain text, read in full here on John Shaqi.
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