The Scottish Cavalier: An Historical Romance, Volume 3 (of 3)Grant, James
History
The Scottish Cavalier: An Historical Romance, Volume 3 (of 3)
Grant, James
Scotland -- History -- 1649-1660 -- Fiction
"Indeed!" rejoined Wallace, sternly. "Let all the whigamore scum of
Scotland come, they are welcome. I am one of the good old race of
Elderslie, and I thank heaven that in an hour like this, it hath been
the hap of one of my name to have entrusted to his care the defence
of the palace of our princes, and yonder holy fane, the sepulchre of
their bones--one of the fairest piles that ancient piety ever
founded, or modern fanaticism destroyed." His swart countenance
lighted up, and signing the cross (for this noble cavalier was a true
catholic), he drew his sword.
"Hark, a chamade!" said Walter Fenton; "now let us hear what these
rascals have the impudence to say;" and the three cavaliers repaired
to the porch, leaving the divine to continue his devoirs to the
brandy keg. They beheld a very extraordinary scene.
Wallace's company was an Independent one. It was something less than
a hundred strong, and had the great porch of the palace and the two
lesser gates of the boundary wall to defend. In the former there
were sixty musqueteers drawn up, as it was the point of the greatest
danger; the remainder were posted at the small gates, which were well
secured by internal barricades. The great façade of the magnificent
palace, with its deep quadrangle and six round towers, loomed through
the starless gloom of the winter night; lights flickered in the
gallery of the Kings of Scotland, and through the lofty casements of
its long corridors and echoing chambers, for there many proscribed
catholic and cavalier families, terrified women, and helpless
children, hud fled for refuge. And from the great western windows of
the chapel royal shone "the dim religious light" of the distant
altar, where many a devout worshipper, in the ancient faith of our
fathers, sent up, with catholic fervour, the most solemn prayers to
God for conquest and for succour.
How different was the scene without those sacred walls, with their
shadowy aisles, their glimmering shrines and marble tombs--their
dark, deep, solemn arches, and mysterious echoes.
Through the strong gate of vertical iron bars that closed the dark
round archway of the porch, the cavaliers beheld the long vista of
the Canon-gate, extending to the westward. Its long perspective of
ancient and picturesque edifices, turrets, outshots, and gables, was
vividly lit up by the crimson glare of the blazing houses on the
Abbey-hill, to the northward of the palace.
A dense mob that had gathered in the Cow-gate, provided with weapons
and torches, mingled with Trained Bandsmen, and having drums beating,
and the Earl of Perth's effigy, borne aloft before them, after
traversing the West Bow and High-street, maltreating all they met,
were now descending the Canon-gate; and the light of their brandished
flambeaux streamed through the groined portal of the palace,
glittering on the helmets and arms of the soldiers drawn up within it
in close array, and beyond on the tall outline of the tower of James
V.
Public-domain text, read in full here on John Shaqi.
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