The action is slight and its setting vague. Sometimes we are in a brothel,
crowded with bullies, punks, lords, draymen and linkboys, and managed by
Cibber (pp. 11-12) or by Dulness (p. 10). This setting, together with the
claim that Cibber's own muse is a prostitute (p. 8), serves as a retort to
the Tom-Tit in the brothel story in Cibber's _Letter to Pope_ and to
emphasize the element of literary prostitution in the activities of Cibber
and his like. At other times the setting is a regular dunces' club (pp. 9,
16) of the type chronicled in the pages of _The Grub Street Journal_.
Towards the end of the poem it is an Assembly Room (p. 19) presided over
by the Goddess of Puffs (a happy development of that more commonplace
mythical figure "Fame," Dulness' handmaiden in _The New Dunciad_) who sets
a test for the dunces and judges their performance. Only in this
concluding episode can this rather shapeless poem (which certainly is
neither the mock epic nor the epistle that its title-page promises) be
assigned to any regular literary "kind." This "kind" is that favorite of
the seventeenth and early eighteenth centuries, the "Sessions Poem."[4]
"Scriblerus'" account of the sessions of the dunces is more allusive and
particularized than the rest of the poem and consequently calls for
somewhat more detailed comment. The chief cases at the sessions embrace
the pamphlet battle of summer 1742 and theatrical rivalry in the 1741-42
London season. Cibber's contribution to the paper-war, the _Letter to
Pope_ (written according to Cibber "At the Desire of several Persons of
Quality"), is introduced at page 17 and consigned on page 19 to William
Lewis its printer. Hervey stalks in "under VIRTUE's Name" in a "borrow'd
Shape" (p. 24), an allusion to the suggestion in the prefatory epistle to
_The Difference between Verbal and Practical Virtue_ that the poem was
Cibber's work. (The "horse him" on 25 of _The Scribleriad_ refers to
Cibber's adaptation of Shakespeare's _Richard III._) Other pamphlets
issued in August 1742 are mentioned on page 24--_Sawney and Colley_,[5]
which "Scriblerus" calls "CLODDY's Dialogue," and _A Blast upon Bays_.[6]
Public-domain text, read in full here on John Shaqi.
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