The Sculpture and Mural Decorations of the Exposition: A Pictorial Survey of the Art of the Panama-Pacific international exposition — John Shaqi
The Sculpture and Mural Decorations of the Exposition: A Pictorial Survey of the Art of the Panama-Pacific international expositionPerry, Stella G. S. (Stella George Stern)
General
The Sculpture and Mural Decorations of the Exposition: A Pictorial Survey of the Art of the Panama-Pacific international exposition
Perry, Stella G. S. (Stella George Stern)
Panama-Pacific International Exposition (1915 : San Francisco, Calif.); Sculpture, American
Equestrian statues of Cortez and Pizzaro stand in the Avenue of Palms at
the base of the Tower of Jewels to suggest the early history of the
South and West of this hemisphere as a background to the present
achievements at Panama and, indeed, at San Francisco. This spirited and
romantic presentation of the fearless conquistador, Hernando Cortez,
shows him at the very height of his proud successes. Charles Niehaus,
whose work is always direct and convincing, has made us feel the Spanish
conqueror's own sense of victory. We know that now Mexico, the
Tlascalans and the Emperor Montezuma have been vanquished, that the
victor's ruthless ambition is already dreaming of the conquest of New
Spain and the navigation of the Pacific. There are infused into the work
a brilliancy and dash that fill the imagination with the glamor of that
picturesque period of history. The perfect horsemanship, the restrained
but vigorous motion, the whole bearing, have a stirring beauty. There is
also intended and expressed in the countenance a sense of vision, as if
Cortez had here a prophetic moment in which he saw the future of the
continent he claimed.
Pizarro
In Front of Tower of Jewels
Pizzaro, the companion equestrian to Cortez, is the work of Charles Cary
Rumsey. The grim, stern and epic history of the bold, arrogant
adventurer who was merciless in success and dauntless in failure is
ruggedly suggested by this figure, mounted upon a heavily armored
charger and advancing with drawn sword. The fact that Pizzaro was a
member of Balboa's party when that explorer discovered the Pacific and
that he himself was in charge of a Spanish colony at Darien in 1510,
makes his appearance at this Exposition appropriate. But it is, after
all, the conqueror of the Incas, the indomitable, who spared neither his
men nor his enemy until the rich cities of the Southern Empire had been
pillaged of their gold and destroyed, who is here portrayed. After
achieving wealth and honors Pizzaro was slain by the followers of a
rival conquistador. The position of these two equestrians is well
chosen; the colonnade of the Tower makes an impressive background.
The Pioneer
Avenue of Palms
Public-domain text, read in full here on John Shaqi.
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