The Sculpture and Mural Decorations of the Exposition: A Pictorial Survey of the Art of the Panama-Pacific international expositionPerry, Stella G. S. (Stella George Stern)
General
The Sculpture and Mural Decorations of the Exposition: A Pictorial Survey of the Art of the Panama-Pacific international exposition
Perry, Stella G. S. (Stella George Stern)
Panama-Pacific International Exposition (1915 : San Francisco, Calif.); Sculpture, American
As we look across the Court of the Universe towards the Nations of the
West, the vastness of the Court and the commanding effect of these great
groups of the nations impress us. The high columns of the Rising and
Setting Sun fountains, the monumental groups of the "Elements," the
classic "Music" and "Dance" of heroic size, are merged in the splendid
sweep of the Court; the dignified circle of sculptured light-standards
is dwarfed by the perspective. But these mighty processional masses of
the Nations still dominate the whole. This western group, companion to
the Nations of the East, centers about the prairie schooner, which
balances the elephant in the opposing composition, and the girlish
figure of a young pioneer mother, poetically called "The Mother of
Tomorrow." Accompanying her are represented the nations that have
contributed to our American civilization. The group is by the same
sculptors in collaboration who made the group of eastern nations. The
four equestrians, the Latin-American, the French-Canadian, the
Anglo-American, the Indian and the trudging Squaw are by Leo Lentelli;
the pedestrian figures, the bowed Alaskan women, the German and the
Italian are by F. G. R. Roth, who made also the oxen and the prairie
schooner. The Mother and the crowning symbolic group of "Enterprise" and
the "Hopes of the Future" are by A. Stirling Calder, who is responsible
for the general composition.
Enterprise
Detail, Nations of the West
The prairie schooner that forms the axis of the Nations of the West is
crowned by an animated, imaginative group so perfectly co-ordinated with
the realistic main composition that it causes no sense of discord. This
group of "Enterprise" and the "Hopes of the Future" by A. Stirling
Calder, forms the apex of the pyramidal construction. It gives the
required height and balances the howdah on the elephant in the companion
group, the Nations of the East, on the opposite archway. The spirit of
Enterprise, a kneeling figure whose encircling wings carry the rewards
of the world, calls aloud to summon initiative, encouragement and
perseverance to the brave and adventurous who advance our progress. This
Enterprise is the pioneer spirit that discovered and developed America.
At the feet of Enterprise sit the Hopes of the Future; two boys, one
white, the other, negro. These sound the note of deep humanity that
underlies the poetry of the conception. This group of the Western
nations has an appropriate sub-title, "The Pioneers."
Dance
Balustrade, Court of the Universe
Public-domain text, read in full here on John Shaqi.
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