The Forecourt of the Seasons, the continuation of the Court of the Four Seasons to the Marina, is officially called the Forecourt of Ceres, because of Evelyn Beatrice Longman's Fountain of Ceres which commands it. Ceres, or Demeter, the goddess of Agriculture, presided over the Earth's abundance. By her favor, came the good harvest; she it was who first instructed man in the use of the plough. In the loveliest of antique myths she is the mother of Prosperine, the Spring. Miss Longman has expressed her as exultant, regal, young - far less matronly than as conventionally pictured - glorying in her power to bless the cooperative labors of man and nature. She holds as her sceptre the stalk of corn, and offers the crown of summer to the world. The central figure is not more lovely than the pedestal base on which she stands. A frieze of dancing maidens, wrought in cleancut low relief, Greek in manner, celebrate the Harvest feast. In the accompanying illustration, the groups on pylons, by Albert Jaegers, already described, may be seen in the background. The Genius of Creation Central Group, Avenue of Progress "The Genius of Creation," by Daniel Chester French, has the superb simplicity of all works of that master of sculptural calm, intellectual power and straightforward sincerity. Mr. French is said to make no mistakes in composition; his precision is not dryness but technical ease and infallibility; his classical quality is not obedience to tradition but insight, into the underlying laws that made tradition. Here we have a splendid example of his perfection of mass, balance and finish and of quiet, inspiring depth and directness of feeling. Creation extends life-giving arms over the universe. Serene, brooding, blessing, the noble face emerges from mysterious shadows of the enveloping mantle. The sculptural quality of the draperies, their weight and texture and grace are notable. At the foot of the pedestal rock, man and woman stand - facing different sides, but their hands are clasped at the back of the group. The Serpent surrounds all, inevitably suggestive of the story of Genesis, but symbolic of the waters from which life emerged and the encircling oneness of the universe. The Genius of Mechanics Column Friezes, Machinery Hall