In the corners of the ambulatory about the Court of Ages, crystallizing the color and design of its long, arched ceiling, are the opulent, warm, vibrant murals by Frank Brangwyn. They introduce to the general public of America this Belgian-English artist who has long been esteemed among the great of the world. He has presented here the Elements, two interpretations of each, in relation to their service to simple human life. The paintings are neither allegorical nor photographic, but highly interpretative of the luxuriant picturesqueness of nature and the everyday labors of man. The luminosity of color, dash and daring of contrast, fairly crackle with life and yet have rich depths of quietness. The two panels of Earth glow with the earth's abundance. The first, the "Fruit Pickers," here shown, in which harvesters gather fruits from high trees and the laden ground, is notable for its marvelous massing of composition and color. The second, "Dancing the Grapes," is remarkable for its shimmering contrasts of light and shade. In both you get the tang of the harvest season. Fire Industrial Fire, Court of Ages The two Fire panels represent this element in its two phases of serviceability. The first shows its simplest use, that of giving warmth to man; the second, its more developed employment as an agent of manufacture. In the "Primitive Fire," a gray, woodsy plume of smoke rises to the autumn sky. A group of workers have made a fire at the edge of a grove; they surround it, some encouraging the growing blaze by blowing upon it, others leaning forward toward its warmth. The thin pillar of waving smoke is executed with such fidelity that it explains why this artist's admirers dwell upon his handling of fugitive surface tones, as smoke or clouds, as much as upon his more obvious excellences. In "Industrial Fire," here reproduced, the smoke rises not in fine line, but in heavy mass from a kiln. It is a rich cloud, colorful with iridescent metallic lustres. Workers feed the blaze, their warm flesh glowing in the mixed light. Whole vessels and broken bits of pottery are heaped and scattered upon the ground. Water Fountain Motive, Court of Ages