The Sea and Its Living Wonders: A Popular Account of the Marvels of the Deep and of the Progress of Martime Discovery from the Earliest Ages to the Present TimeHartwig, G. (Georg)
History
The Sea and Its Living Wonders: A Popular Account of the Marvels of the Deep and of the Progress of Martime Discovery from the Earliest Ages to the Present Time
Hartwig, G. (Georg)
Animal behavior; Discoveries in geography; Discoveries in geography -- History; Marine animals; Marine plants; Ocean
The whole floor of the cave is occupied by the sea, the depth of which,
even at its farthest end, is above six feet, during ebb-tide; but
it is only in perfectly calm weather that a boat is able to venture
into the interior, for when the sea is any way turbulent (and this is
generally the case among the stormy Hebrides) it is in danger of being
hurled against the walls of the grot and dashed to pieces. Under these
circumstances, the only access into the cave is by a narrow dyke or ledge
running along its eastern wall, about fifteen feet above the water. It
is formed of truncated basaltic pillars, over which it is necessary to
clamber with great caution and dexterity, as they are always moist and
slippery from the dashing spray. Frequently there is only room enough
for one foot, and while the left hand grasps that of the guide, it is
necessary to hold fast with the right to a pillar of the wall. As this
difficult path is most dangerous in the darkest part of the cave, but
few tourists are bold enough to trust themselves to it, for the least
false step must infallibly precipitate the adventurous explorer into the
seething caldron below. Sometimes a cormorant, fearless of any accident
of this kind, has built his nest upon the top of one of the truncated
pillars, which form the pavement of the pathway, and betrays by a peevish
hissing his ill humour at being disturbed in his solitary retreat by the
intrusion of man.
[Illustration: Fingal's Cave.]
The narrow path ultimately widens into a more roomy and slanting space
formed of the remains of more than a thousand perpendicular truncated
shafts. The back wall consists of a range of unequally sized pillars,
arranged somewhat like the tubes of an organ. When the waves rush with
tumultuous fury into the cave and dash their flakes of snow-white foam
against its wall, it seems as if the gigantic instrument, touched by an
invisible hand, were loudly singing the triumphs of ocean.
Among the beauties of this matchless cave, the clear light must not
be forgotten, which, penetrating through the wide portal, produces an
agreeable chiaro-oscuro even at its farthest end, so that the eye is able
to seize at one glance the full majesty of the splendid hall; nor the
pure air which, constantly renewed by the perpetual alternations of the
tides, is very different from the chilly dampness which generally reigns
in subterranean caverns.
When we consider the resemblance which from its regularity this
magnificent work of nature bears to a production of human art, we cannot
wonder at its having been ascribed to mortal architecture. But as men
of ordinary stature seemed too weak for so colossal an enterprise, it
was attributed to a race of giants, who constructed it for their chief
and leader, Fingal, so renowned in Gaelic mythology. This belief still
lingers among the primitive people of the neighbourhood, though some,
being averse to pagan Goliahs, ascribe its workmanship to St. Columban.
Public-domain text, read in full here on John Shaqi.
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