The whole scene was painted dimly green with a diffused effulgence
of light. We stared, all of us for a moment unbreathing. Mysterious,
awesome, uncanny! A crest to the left with a dangling forest of marine
vegetation, gently swaying. Occasional dark blobs of prowling marine
life. All dark and dimly turgid. A scene with a quality almost infernal.
I could not grasp much of it at first. But it grew upon me--I think we
may have been there an hour, staring. It grew upon me, like formless
shadows slowly taking form in a pregnant darkness.
The green light suffused everything. But down in the caldron it was
concentrated into many small points. Moving dots; blobs of light--and
near the center a large luminous area which presently seemed almost
bright.
Moving dots of light. Things moving, carrying with them the lights.
Things that presently seemed cubes and oblongs of metal. I fancied they
may have been, some of them, a hundred or two hundred feet in length;
moving metal containers. With human occupants? My reason told me so.
They showed no details, only as distant blobs. But my fancy supplied
details; I could imagine them being dragged very slowly up the
slope toward Maui with giant chains. Or perhaps they went as our
old-fashioned tractors used to move, with caterpillar tread. One moved,
and stopped; and I did not see it move again. Then another; another--a
little distance gained for each.
And the movement was always upward, toward Maui’s green
mountaintop--toward that bright ethereal other world of land and sky!
It grew upon me, this scene so darkly, silently infernal. The slow
patience of it!
But there was other, swifter movement. Smaller, individual, metallic
vehicles moved more swiftly about as though commanding. Some darted
like tiny sub-sea vessels, carrying lights. Others moved on the bottom.
There were unlighted shapes that seemed not much larger than a human
figure, moving among the rocks on the caldron floor.
The broad, circular, nearly-bright area seemed to have a great
transparent dome over it, like an amphitheater suffused with
illumination. I think the water was excluded from under it.
The encampment of this attacking army! It was distant from us, with
image tiny to our sight. Human figures in there, moving about. Tiny
dots of green light strung above them. Shapes of things that might have
been houses; tiers of them, terraced like sections of a pyramid. An
encampment, crowded with apparatus perhaps. I even fancied I could see
some of it, which the figures were assembling.
Dr. Plantet was fumbling with our telescope. He turned on its tiny
penetrating ray of light, but Arturo leaped at him. “Don’t, father!”
I reached and snapped off the light. But it had betrayed us. We did not
know it then; for another interval we gazed down from this height where
it seemed that in darkness the Dolphin lay secure on the crest of the
gully-mouth.
Public-domain text, read in full here on John Shaqi.
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