The Sea: Its Stirring Story of Adventure, Peril, & Heroism. Volume 4Whymper, Frederick
History
The Sea: Its Stirring Story of Adventure, Peril, & Heroism. Volume 4
Whymper, Frederick
Adventure and adventurers; Arctic regions; Ocean; Voyages around the world
The “Urchins” seem to owe their name to Aristotle, and their spiny
covering and armature have in all ages attracted the attention of
naturalists. Some of them have 3,000 or 4,000 prickles, and their
organisation is really wonderful. They are enclosed in a globular hollow
box, which grows with their growth. Gosse explains how. The box can never
be cast off, and it is obvious that the deposits made from inside would
only narrow the space, which really requires to be enlarged. “The growing
animal feels its tissues swelling day by day, by the assimilation of food.
Its cry is ‘Give me space! a larger house, or I die!’ How is this problem
solved? Ah! there is no difficulty. The inexhaustible wisdom of the
Creator has a beautiful contrivance for the emergency. The box is not made
in one piece, nor in ten, nor a hundred. Six hundred distinct pieces go to
make up the hollow case, all accurately fitted together, so that the
perfect symmetry of outline remains unbroken; and yet, thin as their
substance is, they retain their relative positions with unchanging
exactness, and the slight brittle box retains all requisite strength and
firmness, for each of these pieces is enveloped by a layer of living
flesh; a vascular tissue passes up between the joints, where one meets
another, and spreads itself over the whole exterior surface.” Their spines
are instruments of defence and of locomotion; each has several muscles to
work it.
The poet‐scientist, Michelet, has beautifully painted the animal’s nature,
and makes it describe itself as follows. “I am born,” says the unobtrusive
Echinoderm, “without ambition; I ask for none of the brilliant gifts
possessed by those gentlemen the molluscs. I would neither make mother‐of‐
pearl nor pearls; I have no wish for brilliant colours, a luxury which
would point me out; still less do I desire the grace of your giddy
medusas, the waving charm of whose flaming locks attracts observation and
exposes one to shipwreck. Oh, mother! I wish for one thing only, _to
be_—to be without these exterior and compromising appendages; to be
thickset, strong, and round, for that is the shape in which I should be
the least exposed; in short, to be a centralised being. I have very little
instinct for travel. To roll sometimes from the surface to the bottom of
the sea is enough of travel for me. Glued firmly to my rock, I could there
solve the problem, the solution of which your favourite, man, seeks for in
vain—that of safety. To strictly exclude enemies and admit all friends,
especially water, air, and light, would, I know, cost me some labour and
constant effort. Covered with movable spines, enemies will avoid me. Now,
bristling like a bear, they call me an urchin.”(34)
[Illustration: URCHINS IN A ROCK.]
Public-domain text, read in full here on John Shaqi.
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