The Sea: Its Stirring Story of Adventure, Peril, & Heroism. Volume 4Whymper, Frederick
History
The Sea: Its Stirring Story of Adventure, Peril, & Heroism. Volume 4
Whymper, Frederick
Adventure and adventurers; Arctic regions; Ocean; Voyages around the world
The term “sea‐cucumber” accurately describes the shape of the Holothuria,
which is in general terms a worm‐like cylinder, varying as much as from an
inch or two to thirty, and, in exceptional cases, forty inches in length.
The skin of the animal is usually thick and leathery; it is crowned by a
mouth with a fringe of tentacula, which expand like a flower when it is
unmolested. They particularly avoid the glare of light. One large eatable
species is common in the Mediterranean, and is used for food in Naples and
elsewhere. But it is in the Indian, Malayan, and Chinese seas that the
_Holothuria edulis_, known there as the _trepang_, is an important adjunct
to the food of the natives. Thousands of junks are employed in the trepang
fisheries. The Malay fisherman will harpoon them with a long bamboo
terminating in a sharp hook at a distance of thirty yards. In four or five
fathoms of water native divers are employed, who seize them in their
hands, and will bring up several at a time. They are then boiled, and
flattened with stones; after which process they are spread out on bamboo
mats to dry, first in the sun and afterwards by smoking. They are then put
in sacks and shipped principally to Chinese ports, where they are
considered a luxury.
The great French navigator, Dumont d’Urville, witnessed the processes
employed while in Raffles Bay. An hour after the arrival of four prows all
the men were at work ashore cooking them in boilers placed over roughly‐
constructed stone furnaces, after which they were dried on hurdled roofs.
Captain d’Urville went on board one of the Malay vessels, where he was
received with cordiality by the padrone, or captain. “He,” says that
navigator, “showed us over his little ship. The keel appeared to us
sufficiently solid; even the lines did not want elegance; but great
disorder seemed to reign in the stowage department. From a kind of bridge,
formed by hurdles of bamboos and junk, we saw the cabin, which looked like
a poultry house: bags of rice, packets and boxes were huddled together.
Below was the store of water, of cured trepang, and the sailors’ berths.
Each boat was furnished with two rudders, one at each end, which lifted
itself when the boat touched the bottom. The craft was furnished with two
masts, without shrouds, which could be lowered on to the bridge at will by
means of a hinge; they carry the ordinary sail; the anchors are of wood,
for iron is rarely used by the Malays; their cables are made of rattan
fibre; the crew of each bark consists of about thirty‐seven, each shore
boat having a crew of six men. At the moment of our visit they were all
occupied in fishing operations, some of them being anchored very near to
us. Seven or eight of their number, nearly naked, were diving for trepang;
the padrone alone was unoccupied. An ardent sun darted its rays upon their
heads without appearing to incommode them, an exposure which no European
could hold up under. It was near mid‐day, and the moment, as our Malay
Public-domain text, read in full here on John Shaqi.
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