“It’s not the nature of life to be otherwise. Life, when it knows that
it must cease living, will always rebel. It cannot help itself. The
Preacher found life and the works of life all a vanity and vexation, an
evil thing; but death, the ceasing to be able to be vain and vexed, he
found an eviler thing. Through chapter after chapter he is worried by
the one event that cometh to all alike. So Omar, so I, so you, even you,
for you rebelled against dying when Cooky sharpened a knife for you. You
were afraid to die; the life that was in you, that composes you, that is
greater than you, did not want to die. You have talked of the instinct
of immortality. I talk of the instinct of life, which is to live, and
which, when death looms near and large, masters the instinct, so called,
of immortality. It mastered it in you (you cannot deny it), because a
crazy Cockney cook sharpened a knife.
“You are afraid of him now. You are afraid of me. You cannot deny it.
If I should catch you by the throat, thus,”—his hand was about my throat
and my breath was shut off,—“and began to press the life out of you thus,
and thus, your instinct of immortality will go glimmering, and your
instinct of life, which is longing for life, will flutter up, and you
will struggle to save yourself. Eh? I see the fear of death in your
eyes. You beat the air with your arms. You exert all your puny strength
to struggle to live. Your hand is clutching my arm, lightly it feels as
a butterfly resting there. Your chest is heaving, your tongue
protruding, your skin turning dark, your eyes swimming. ‘To live! To
live! To live!’ you are crying; and you are crying to live here and now,
not hereafter. You doubt your immortality, eh? Ha! ha! You are not
sure of it. You won’t chance it. This life only you are certain is
real. Ah, it is growing dark and darker. It is the darkness of death,
the ceasing to be, the ceasing to feel, the ceasing to move, that is
gathering about you, descending upon you, rising around you. Your eyes
are becoming set. They are glazing. My voice sounds faint and far. You
cannot see my face. And still you struggle in my grip. You kick with
your legs. Your body draws itself up in knots like a snake’s. Your
chest heaves and strains. To live! To live! To live—”
I heard no more. Consciousness was blotted out by the darkness he had so
graphically described, and when I came to myself I was lying on the floor
and he was smoking a cigar and regarding me thoughtfully with that old
familiar light of curiosity in his eyes.
“Well, have I convinced you?” he demanded. “Here take a drink of this.
I want to ask you some questions.”
I rolled my head negatively on the floor. “Your arguments are
too—er—forcible,” I managed to articulate, at cost of great pain to my
aching throat.
“You’ll be all right in half-an-hour,” he assured me. “And I promise I
won’t use any more physical demonstrations. Get up now. You can sit on
a chair.”
Public-domain text, read in full here on John Shaqi.
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