in an Atlantis, Oceana, Arcadia, or what it may be, but put not forth one of their fingers to work a salvation in the earth. Better than such is the man who, using just weights and a true balance, sells good flour, and never has a thought of his own. I have been talking--to my reader is it? or to my supposed group of grandchildren? I remember--to my companions in old age. It is time I returned to the company who are hearing my whispers at the other side of the great thundering gallery. I take leave of my old friends with one word: We have yet a work to do, my friends; but a work we shall never do aright after ceasing to understand the new generation. We are not the men, neither shall wisdom die with us. The Lord hath not forsaken his people because the young ones do not think just as the old ones choose. The Lord has something fresh to tell them, and is getting them ready to receive his message. When we are out of sympathy with the young, then I think our work in this world is over. It might end more honourably. Now, readers in general, I have had time to consider what to tell you about, and how to begin. My story will be rather about my family than myself now. I was as it were a little withdrawn, even by the time of which I am about to write. I had settled into a gray-haired, quite elderly, yet active man--young still, in fact, to what I am now. But even then, though my faith had grown stronger, life had grown sadder, and needed all my stronger faith; for the vanishing of beloved faces, and the trials of them that are dear, will make even those that look for a better country both for themselves and their friends, sad, though it will be with a preponderance of the first meaning of the word _sad_, which was _settled_, _thoughtful_. I am again seated in the little octagonal room, which I have made my study because I like it best. It is rather a shame, for my books cover over every foot of the old oak panelling. But they make the room all the pleasanter to the eye, and after I am gone, there is the old oak, none the worse, for anyone who prefers it to books. I intend to use as the central portion of my present narrative the history of a year during part of which I took charge of a friend's parish, while my brother-in-law, Thomas Weir, who was and is still my curate, took the entire charge of Marshmallows. What led to this will soon appear. I will try to be minute enough in my narrative to make my story interesting, although it will cost me suffering to recall some of the incidents I have to narrate. CHAPTER II. CONSTANCE'S BIRTHDAY.