Christian fiction; Neighborhoods -- Scotland -- Fiction
I looked whither she indicated. A little way down, the bed of the
ravine widened considerably, and was no doubt filled with water in
rainy weather. Now it was swampy--full of reeds and willow bushes. But
on the opposite side of the stream, with a little canal from it going
all around it, lay a great flat rectangular stone, not more than a foot
above the level of the water, and upon a camp-stool in the centre of
this stone sat a gentleman sketching. I had no doubt that Wynnie had
recognised him at once. And I was annoyed, and indeed angry, to think
that Mr. Percivale had followed us here. But while I regarded him, he
looked up, rose very quietly, and, with his pencil in his hand, came
towards us. With no nearer approach to familiarity than a bow, and no
expression of either much pleasure or any surprise, he said--
"I have seen your party for some time, Mr. Walton--since you crossed
the stream; but I would not break in upon your enjoyment with the
surprise which my presence here must cause you."
I suppose I answered with a bow of some sort; for I could not say with
truth that I was glad to see him. He resumed, doubtless penetrating my
suspicion--
"I have been here almost a week. I certainly had no expectation of the
pleasure of seeing you."
This he said lightly, though no doubt with the object of clearing
himself. And I was, if not reassured, yet disarmed, by his statement;
for I could not believe, from what I knew of him, that he would be
guilty of such a white lie as many a gentleman would have thought
justifiable on the occasion. Still, I suppose he found me a little
stiff, for presently he said--
"If you will excuse me, I will return to my work."
Then I felt as if I must say something, for I had shown him no courtesy
during the interview.
"It must be a great pleasure to carry away such talismans with
you--capable of bringing the place back to your mental vision at any
moment."
"To tell the truth," he answered, "I am a little ashamed of being found
sketching here. Such bits of scenery are not of my favourite studies.
But it is a change."
"It is very beautiful here," I said, in a tone of contravention.
"It is very pretty," he answered--"very lovely, if you will--not very
beautiful, I think. I would keep that word for things of larger regard.
Beauty requires width, and here is none. I had almost said this place
was fanciful--the work of imagination in her play-hours, not in her
large serious moods. It affects me like the face of a woman only
pretty, about which boys and guardsmen will rave--to me not very
interesting, save for its single lines."
"Why, then, do you sketch the place?"
"A very fair question," he returned, with a smile. "Just because it is
soothing from the very absence of beauty. I would far rather, however,
if I were only following my taste, take the barest bit of the moor
above, with a streak of the cold sky over it. That gives room."
"You would like to put a skylark in it, wouldn't you?"
Public-domain text, read in full here on John Shaqi.
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