"Most certainly, my dear. But it would be of no use to try to get it out of his head by any argument. He has a kind of craze in that direction. To get people's hearts right is of much more importance than convincing their judgments. Right judgment will follow. All such fixed ideas should be encountered from the deepest grounds of truth, and not from the outsides of their relations. Coombes has to be taught that God cares for the dead more than he does, and _therefore_ it is unreasonable for him to be anxious about them." When we reached the churchyard we found the old man kneeling on a grave before its headstone. It was a very old one, with a death's-head and cross-bones carved upon the top of it in very high relief. With his pocket-knife he was removing the lumps of green moss out of the hollows of the eyes of the carven skull. We did not interrupt him, but walked past with a nod. "You saw what he was doing, Wynnie? That reminds me of almost the only thing in Dante's grand poem that troubles me. I cannot think of it without a renewal of my concern, though I have no doubt he is as sorry now as I am that ever he could have written it. When, in the _Inferno,_ he reaches the lowest region of torture, which is a solid lake of ice, he finds the lost plunged in it to various depths, some, if I remember rightly, entirely submerged, and visible only through the ice, transparent as crystal, like the insects found in amber. One man with his head only above the ice, appeals to him as condemned to the same punishment to take pity on him, and remove the lumps of frozen tears from his eyes, that he may weep a little before they freeze again and stop the relief once more. Dante says to him, 'Tell me who you are, and if I do not assist you, I deserve to lie at the bottom of the ice myself.' The man tells him who he is, and explains to him one awful mystery of these regions. Then he says, 'Now stretch forth thy hand, and open my eyes.' 'And,' says Dante, I did not open them for him; and rudeness to him was courtesy.'" "But he promised, you said." "He did; and yet he did not do it. Pity and truth had abandoned him together. One would think little of it comparatively, were it not that Dante is so full of tenderness and grand religion. It is very awful, and may teach us many things." "But what made you think of that now?" "Merely what Coombes was about. The visual image was all. He was scooping the green moss out of the eyes of the death's-head on the gravestone."