Christian fiction; Neighborhoods -- Scotland -- Fiction
Turner and I rushed from the room in fear and dismay. "How? What? Where
could the voice come from?" was the unformed movement of our thoughts. But
the moment we left the drawing-room the thing was clear, though not the
less marvellous and alarming. We forgot all about the ship, and thought
only of our Connie. So much does the near hide the greater that is afar!
Connie kept on calling, and her voice guided our eyes.
A little stair led immediately from this floor up to the bark-hut, so that
it might be reached without passing through the bedroom. The door at the
top of it was open. The door that led from Connie's room into the bark-hut
was likewise open, and light shone through it into the place--enough to
show a figure standing by the furthest window with face pressed against the
glass. And from this figure came the cry, "Papa, papa! Quick, quick! The
waves will knock her to pieces!"
In very truth it was Connie standing there.
CHAPTER VIII.
THE SHIPWRECK.
Things that happen altogether have to be told one after the other. Turner
and I both rushed at the narrow stair. There was not room for more than one
upon it. I was first, but stumbled on the lowest step and fell. Turner
put his foot on my back, jumped over me, sprang up the stair, and when I
reached the top of it after him, he was meeting me with Connie in his arms,
carrying her back to her room. But the girl kept crying--"Papa, papa, the
ship, the ship!"
My duty woke in me. Turner could attend to Connie far better than I could.
I made one spring to the window. The moon was not to be seen, but the
clouds were thinner, and light enough was soaking through them to show a
wave-tormented mass some little way out in the bay; and in that one moment
in which I stood looking, a shriek pierced the howling of the wind, cutting
through it like a knife. I rushed bare-headed from the house. When or
how the resolve was born in me I do not know, but I flew straight to the
sexton's, snatched the key from the wall, crying only "ship ashore!" and
rushed to the church.
I remember my hand trembled so that I could hardly get the key into the
lock. I made myself quieter, opened the door, and feeling my way to the
tower, knelt before the keys of the bell-hammers, opened the chest, and
struck them wildly, fiercely. An awful jangling, out of tune and harsh,
burst into monstrous being in the storm-vexed air. Music itself was
untuned, corrupted, and returning to chaos. I struck and struck at the
keys. I knew nothing of their normal use. Noise, outcry, _reveillé_ was all
I meant.
In a few minutes I heard voices and footsteps. From some parts of the
village, out of sight of the shore, men and women gathered to the summons.
Through the door of the church, which I had left open, came voices in
hurried question. "Ship ashore!" was all I could answer, for what was to be
done I was helpless to think.
Public-domain text, read in full here on John Shaqi.
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