A year or so before, soon after Juste Duvarney came from Montreal, he brought in one day from hunting a young live hawk, and put it in a cage. When I came the next morning, Alixe met me, and asked me to see what he had brought. There, beside the kitchen door, overhung with morning-glories and flanked by hollyhocks, was a large green cage, and in it the gray-brown hawk. "Poor thing, poor prisoned thing!" she said. "Look how strange and hunted it seems! See how its feathers stir! And those flashing, watchful eyes, they seem to read through you, and to say, 'Who are you? What do you want with me? Your world is not my world; your air is not my air; your homes are holes, and mine hangs high up between you and God. Who are you? Why do you pen me? You have shut me in that I may not travel, not even die out in the open world. All the world is mine; yours is only a stolen field. Who are you? What do you want with me? There is a fire within my head, it eats to my eyes, and I burn away. What do you want with me?'" She did not speak these words all at once as I have written them here, but little by little, as we stood there beside the cage. Yet, as she talked with me, her mind was on the bird, her fingers running up and down the cage bars soothingly, her voice now and again interjecting soft reflections and exclamations. "Shall I set it free?" I asked her. She turned upon me and replied, "Ah, monsieur, I hoped you would--without my asking. You are a prisoner too," she added; "one captive should feel for another." "And the freeman for both," I answered meaningly, as I softly opened the cage. She did not drop her eyes, but raised them shining honestly and frankly to mine, and said, "I wished you to think that." Opening the cage door wide, I called the little captive to freedom. But while we stood close by it would not stir, and the look in its eyes became wilder. I moved away, and Alixe followed me. Standing beside an old well we waited and watched. Presently the hawk dropped from the perch, hopped to the door, then with a wild spring was gone, up, up, up, and was away over the maple woods beyond, lost in the sun and the good air. I know not quite why I dwell on this scene, save that it throws some little light upon her nature, and shows how simple and yet deep she was in soul, and what was the fashion of our friendship. But I can perhaps give a deeper insight of her character if I here set down the substance of a letter written about that time, which came into my possession long afterwards. It was her custom to write her letters first in a book, and afterwards to copy them for posting. This she did that they might be an impulse to her friendships and a record of her feelings. ALIXE DUVARNEY TO LUCIE LOTBINIERE. QUEBEC CITY, the 10th of May, 1756.