The Second LatchkeyWilliamson, C. N. (Charles Norris)
General
The Second Latchkey
Williamson, C. N. (Charles Norris)
Man-woman relationships -- Fiction; Married people -- Fiction
There was little doubt in her mind as to who the occupants were, and her
heart beat fast, though she controlled herself to walk with calmness
across the strip of pavement. On the doorstep she turned to wait for her
companion, and, without seeming to look past him, saw that no one got out
from the neighbouring taxi.
"They don't care whether we guess who they are or not," was her thought.
"They mean to find out whether we have a latchkey and can let ourselves
into a house in this square. When they see us go in, will they believe
the story and drive away, or--will they stay on?"
What would happen if the watchers persisted Annesley dared not think; but
she knew that she would sacrifice herself in any way rather than send the
man she loved (yes, she _did_ love him!) out to face peril.
Having paid the chauffeur, Mr. N. Smith joined the figure on the
doorstep, and fitted into the lock Annesley's latchkey. Then he opened
the door for the girl, and followed her in with a cool air of
proprietorship which ought to have impressed the watchers. A minute
later, if another proof had been needed that Mr. and Mrs. Smith were
actually at home, it was given by a sudden glow of red curtains in the
two front windows of the ground floor.
This touch of realism meant extra risk for Annesley in case Mrs.
Ellsworth were awake; but she took it with scarcely a qualm of fear. The
house was quiet, and there were ten chances to one against its mistress
being on the alert at this hour, so long past her bedtime.
When the girl had switched on the lights of the two-branched chandelier
over the dining table she beckoned to her companion, who noiselessly
followed her from the dark corridor into the room. There, with one
sweeping glance at the dull red walls, the oil-painted landscapes in
sprawling gilt frames, the heavy plush curtains, the furniture with its
"saddle-bag" upholstery, the common Turkish carpet, and the mantel mirror
with tasteless, tasselled draperies, "Nelson Smith" seemed to comprehend
the deadly "stuffiness" of Annesley Grayle's existence.
The look of Mrs. Ellsworth's middle-class dining room, and the atmosphere
whence oxygen had been excluded, were enough to tell him, if he had not
realized already, why the lady's companion had gone out to meet a strange
man "with a view to marriage."
To Annesley, however, for the first time, this room was neither hideous
nor depressing. It seemed years since she had seen it. She was a
different girl from the spiritless slave who had crept out after
luncheon, in the wake of her mistress: that short, shapeless form with
a large head set on a short neck, and a trailing, old-fashioned dress
of black.
Now, with a man holding her hands and calling her an angel--a "dear,
brave angel!"--it looked to the girl a beautiful room. There was glamour
upon it, and upon the rest of the world. Surely life could never seem
commonplace again!
Public-domain text, read in full here on John Shaqi.
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