So on the few murky nights when the moon would not show herself
but peeped temptingly from behind large bolsters of cloud, so that even
the Turks diminished their fire, and then with a petulant crescendo
continued, men lay in the dust and prayed for the moon to come. So
demoralizing was this fire that it was not easy to induce even sentries
to keep an effective watch. Not unnaturally, they did not like lifting
their heads to look over, even for the periodical peeps which were
insisted upon. An officer on his rounds would find them standing on the
firestep with their heads well below the parapet, but gazing intently
into the heart of a sand-bag, with the air of a man whom no movement of
the enemy can escape. The officer must then perform the melancholy rite
of 'showing the man how safe it is.' This consisted in climbing up to
the firestep, and exposing an immoderate amount of his head; gazing
deliberately at the Turks, and striving to create an impression of
indifference and calm. He then jumped down, shouting cheerily, 'That's
the way, Thompson,' and walked off, thanking God. Personally I did not
like this duty. At the best it was an hypocrisy. For the reluctance of
the officer to look over was no less acute than the man's; and it was
one thing to look for a moment or two and pass on, and another to stand
there and repeat the process at brief intervals. Officers performed this
rite according to their several characters: Eustace, for example, with a
cynical grin which derided, with equal injustice, both himself and his
action; he was notably courageous, and his nonchalance on the parapet
would have been definitely reassuring to the nervous sentry. But his
expression and attitude said clearly: 'This is all damned nonsense, my
good man; _you_ don't like standing up here, neither do I, and neither
of us is deceiving the other at all.' Burnett did it with genuine and
ill-concealed distaste, too hasty to be convincing. Harry, alone, did it
with a gallant abandon, like a knight throwing down his challenge to the
enemy; and he alone can have been really inspiring to the reluctant
sentry. He had a keen dramatic instinct, and in these little scenes
rather enjoyed the part of the unperturbed hero calming the timorous
herd. Watching him once or twice I wondered how much was acting and how
much real fearlessness; if it was acting he was braver then than most of
us--but I think it was the other just then.
Public-domain text, read in full here on John Shaqi.
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