'All the female characters,' she wrote, 'in all their thoughts and
lives, are full of one thing, or are regarded in the light of that one
thought, love! It begins with the child of six years old, of the opening
(a charming picture), and closes with it at the last page. And so
dominant is this idea, so incessant is the writer's tendency to describe
_the need of being loved_, that the heroine, who tells her own story,
leaves the reader at last under the uncomfortable impression of her
having either entertained a double love, or allowed one to supersede
another, without notification of the transition. It is not thus in real
life. There are substantial, heartfelt interests for women of all ages,
and, under ordinary circumstances, quite apart from love; there is an
absence of introspection, an unconsciousness, a repose, in women's
lives, unless under peculiarly unfortunate circumstances, of which we
find no admission in this book; and to the absence of it may be
attributed some of the criticism which the book will meet with from
readers who are no prudes, but whose reason and taste will regret the
assumption that events and characters are to be regarded through the
medium of one passion only.'
The critical blunder in this judgment is that here the authoress of the
_Illustrations in Political Economy_ and of the _Atkinson Letters_ sees
the authoress of _Villette_ through her own temperament, as an
intellectual like herself:--a humane sociologist, and a philosophical
freethinker, _whose literary purpose is to use her talent as a writer in
the service of her ideas and principles_. Judging _Villette_ and its
authoress from this point of view and by these standards, Harriet
Martineau decides that _because_ 'all events and characters in _Villette
are_ regarded through the medium of one passion, love,' _therefore_ the
literary motive and purpose of the authoress must have been to deny--or
at any rate to ignore--that '_there are substantial heartfelt interests
for women of all ages, and in ordinary circumstances, quite apart from
love._'
Public-domain text, read in full here on John Shaqi.
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