Detective and mystery stories; New England -- Fiction
She said, “I don’t wonder you’re cross. And I’m truly sorry. Is it quite
ruined?”
At that I recovered some decency of manner. “Forgive a hermit,” I said,
“who doesn’t see enough people to keep him civilized. The daub doesn’t
matter.”
She leaned over from the saddle to examine the picture. “Oh, but it
isn’t a daub!” she protested. “I—I know a little about pictures. It’s
very interesting and curious. But why do you paint it on copper?”
I explained.
“Oh!” she said. “I should so like to see your prints!”
“Nothing easier,” said I. “My shack is just over the hill.”
“And there is a Mrs.—” her eyes suggested that I fill the blank.
“Sedgwick?” I finished. “No. There is no one but my aged and highly
respectable Chinaman to play propriety. But in the case of a studio,
_les convenances_ are not so rigid but that one may look at pictures
unchaperoned.”
“I’m afraid it wouldn’t do,” she answered, smiling. “No, I’ll have to
wait until—” A shadow passed over her face. “I’m afraid I’ll have to
give it up.”
Chance settled that point then and there. As she finished, she was in my
arms. The girth had loosened, and the saddle had turned with her. I had
barely time to twist her foot from the stirrup when the brute of a horse
bolted. As it was, her ankle got a bit of a wrench. She turned quite
white, and cried out a little. In a moment she was herself again.
“King Cole has been acting badly all day,” she said. “I shall have a
time catching him.” She limped forward a few steps.
“Here, that won’t do!” said I. “Let me.”
“You couldn’t get near him—though, perhaps, if you had some salt—”
“I can get some at my place,” said I, gathering up my things. “Your
horse is headed that way. You’d better come along and rest there while
Ching Lung and I round up your mount.”
(_Comment by C. K._: _Here follows more talk, showing how young people
imperceptibly and unconsciously cement an acquaintance; but not one word
upon the vital point of how far the horse seemed to have come, whether
he was ridden out, or fresh, etc._)
At the bungalow I called Ching, and we set out with a supply of salt.
King Cole (_Comment by C. K._: _Probably a dead-black horse_) was coy
for a time, before he succumbed to temptation. On my return I found my
visitor in the studio. She had said that she knew a little about
pictures. She knew more than a little, a good deal, in fact, and talked
most intelligently about them. I don’t say this simply because she
tried, before she went, to buy some of mine. When I declined to sell she
seemed put out.
“But surely these prints of yours aren’t the work of an amateur,” she
said. “You sell?”
“Oh, yes, I sell—when I can. But I don’t sell without a good bit of
bargaining; particularly when I suspect my purchaser of wishing to make
amends by a purchase.”
“It isn’t that at all,” she said earnestly. “I want the pictures for
themselves.”
“Call this a preliminary then, and come back when you have more time.”
Public-domain text, read in full here on John Shaqi.
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