We soon became looked upon as the Yankee millionaires, no distinction
being made between us, and being well supplied with funds myself, I was
always able to appear as a gentleman.
A few days after our arrival, I was informed that one of the best boxes
at a neighboring theater was reserved for us. Torrence had taken it for
the season. "Not that I expect to go there every night," he said, "but
it is pleasant to have one’s own corner to drop in upon, when one
happens in the mood. To-night, for instance, I think it would be nice
to take a peep at the ballet; don’t you?"
I agreed that it would, and after our usual sumptuous dinner, we entered
a very handsome closed carriage, and were driven away. There were two
men upon the box in livery, and as we rolled noiselessly on upon rubber
tires, I remarked that it was quite the swellest public rig I had ever
seen. My observation was received with scorn.
"Public rig be blowed!" said Torrence; "surely you know better than to
take this for a hackney coach!"
"What then?" I inquired.
"Private, of course. I bought the entire outfit, horses and all this
morning. This is my maiden trip with them; and they—I mean the
animals—are a pair of spankers, I can tell you!"
"And how much did the whole outfit cost?" I inquired, unable to restrain
my curiosity on the money question.
"Eight fifty!" said Torrence, in an easy off-hand way, as if four
thousand two hundred and fifty dollars were the merest bagatelle. I
would have been stunned had I not been growing gradually accustomed to
that sort of thing. As it was, I simply remarked that I couldn’t see
how he was going to find time to exercise his purchase.
"Oh, I’ll leave that to you," he answered, "I don’t want you to go about
town in a manner unbefitting the role; savey?"
We were ushered into the theater with all the deference that could have
been heaped upon her majesty, so I thought; and I half expected the
audience to rise as we entered our box.
The play was one of those dazzling effects of lights and legs, as
Torrence expressed it, with little or nothing beside, and I soon
observed that a pretty little soubrette was the principal attraction.
Before the second act was over, an attendant was summoned and despatched
with a five pound bill, and an order for the prettiest basket of flowers
to be bought, which at the first opportunity found its way upon the
stage. At times it made me sick to see the money my brother wasted, but
I was a more puppet in his keeping, and could do nothing to deter him.
I fully expected he would be going to the green room after the
performance for an introduction, but to my amazement he did nothing of
the kind, and instead we got into our carriage, and driving to a
fashionable restaurant, had supper.
"And why did you throw away your money on those flowers?" I asked him,
lingering over a bottle of Pomard.
Public-domain text, read in full here on John Shaqi.
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