Fantasy fiction; Ireland -- Social life and customs -- Fiction; Mythology, Celtic -- Fiction
At the place, close to the Dead Man's Point, at the Rosses, where the
disused pilot-house looks out to sea through two round windows like
eyes, a mud cottage stood in the last century. It also was a watchhouse,
for a certain old Michael Bruen, who had been a smuggler in his day,
and was still the father and grandfather of smugglers, lived there, and
when, after nightfall, a tall schooner crept over the bay from Roughley,
it was his business to hang a horn lanthorn in the southern window, that
the news might travel to Dorren's Island, and from thence, by another
horn lanthorn, to the village of the Rosses. But for this glimmering of
messages, he had little communion with mankind, for he was very old, and
had no thought for anything but for the making of his soul, at the foot
of the Spanish crucifix of carved oak that hung by his chimney, or bent
double over the rosary of stone beads brought to him a cargo of silks
and laces out of France. One night he had watched hour after hour,
because a gentle and favourable wind was blowing, and _La Mere de
Misericorde_ was much overdue; and he was about to lie down upon his
heap of straw, seeing that the dawn was whitening the east, and that the
schooner would not dare to round Roughley and come to an anchor after
daybreak; when he saw a long line of herons flying slowly from Dorren's
Island and towards the pools which lie, half choked with reeds, behind
what is called the Second Rosses. He had never before seen herons flying
over the sea, for they are shore-keeping birds, and partly because this
had startled him out of his drowsiness, and more because the long
delay of the schooner kept his cupboard empty, he took down his rusty
shot-gun, of which the barrel was tied on with a piece of string, and
followed them towards the pools.
Public-domain text, read in full here on John Shaqi.
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