Fantasy fiction; Ireland -- Social life and customs -- Fiction; Mythology, Celtic -- Fiction
For the next few weeks Costello had no lack of news of Oona, for now a
woman selling eggs or fowls, and now a man or a woman on pilgrimage to
the Well of the Rocks, would tell him how his love had fallen ill the
day after St. John's Eve, and how she was a little better or a little
worse, as it might be; and though he looked to his horses and his cows
and goats as usual, the common and uncomely, the dust upon the roads,
the songs of men returning from fairs and wakes, men playing cards
in the corners of fields on Sundays and Saints' Days, the rumours of
battles and changes in the great world, the deliberate purposes of those
about him, troubled him with an inexplicable trouble; and the country
people still remember how when night had fallen he would bid Duallach
of the Pipes tell, to the chirping of the crickets, 'The Son of Apple,'
'The Beauty of the World,' 'The King of Ireland's Son,' or some other
of those traditional tales which were as much a piper's business as
'The Green Bunch of Rushes,' 'The Unchion Stream,' or 'The Chiefs of
Breffeny'; and while the boundless and phantasmal world of the legends
was a-building, would abandon himself to the dreams of his sorrow.
Duallach would often pause to tell how some clan of the wild Irish had
descended from an incomparable King of the Blue Belt, or Warrior of the
Ozier Wattle, or to tell with many curses how all the strangers and most
of the Queen's Irish were the seed of the misshapen and horned People
from Under the Sea or of the servile and creeping Ferbolg; but Costello
cared only for the love sorrows, and no matter whither the stories
wandered, whether to the Isle of the Red Lough, where the blessed are,
or to the malign country of the Hag of the East, Oona alone endured
their shadowy hardships; for it was she and no king's daughter of old
who was hidden in the steel tower under the water with the folds of the
Worm of Nine Eyes round and about her prison; and it was she who won
by seven years of service the right to deliver from hell all she could
carry, and carried away multitudes clinging with worn fingers to the hem
of her dress; and it was she who endured dumbness for a year because of
the little thorn of enchantment the fairies had thrust into her tongue;
and it was a lock of her hair, coiled in a little carved box, which gave
so great a light that men threshed by it from sundown to sunrise, and
awoke so great a wonder that kings spent years in wandering or fell
before unknown armies in seeking to discover her hiding-place; for there
was no beauty in the world but hers, no tragedy in the world but hers:
and when at last the voice of the piper, grown gentle with the wisdom of
old romance, was silent, and his rheumatic steps had toiled upstairs and
to bed, and Costello had dipped his fingers into the little delf font of
holy water and begun to pray to Mary of the Seven Sorrows, the blue
eyes and star-covered dress of the painting in the chapel faded from his
Public-domain text, read in full here on John Shaqi.
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