French -- Germany -- Fiction; French fiction -- Translations into English; Mystery fiction; Nobility -- Germany -- Fiction
The Queen of Prussia was the meekest of women, but, urged on secretly by
her confessor, she had never ceased to reproach herself for not having
boldly taken her captive mother's part, convinced as she was of her
innocence. She began to take advantage of her forbidding husband's
better moments to collect the material on which to base proceedings to
clear her character. Unfortunately Sophie-Dorothea died in 1726. This
did not deter her royal daughter from pursuing her labour of love.
Thanks to her resolution and the learned assistance of the jurisconsult
Thomasius already mentioned, an enormous dossier, comprising some twelve
hundred documents, was prepared. It established beyond doubt
Sophie-Dorothea's innocence and Countess von Platen's ignominy. This
monument of filial devotion was never to serve any practical purpose. An
anonymous note at the top of the file records that on the
representations of George II., King of England, communicated to his
brother-in-law, Frederick I. of Prussia through the British Minister,
the rehabilitation suit was never begun. The English King observed to
his sister, not without truth, that every piece of evidence disproving
their mother's guilt only established their father's.
The submissive Prussian Queen yielded to the force of this political
argument. The file, a monument of futile industry, after various
wanderings recorded in the note I have mentioned, ended by falling in
1783 into the hands of the Grand Duchess Charlotte-Augusta of
Lautenburg, niece of the reigning sovereign. It was this very file that
I had the good fortune to discover among the uncatalogued manuscripts in
the ducal library at the end of January, 1914. From the original notes
of the cross-examination of Fräulein von Knesebeck, Sophie-Dorothea's
confidante, to the record of Countess von Platen's confession,[4] had
before me everything required to reconstruct the story of the mysterious
Herrenhausen drama. In the casual manner of historians in dealing with
uncatalogued manuscripts I carried off to the privacy of my room the six
packets containing the whole melancholy story.
Public-domain text, read in full here on John Shaqi.
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