All this happened to me and some strange progress was halted
until something in me could be repaired.
The whole race halted with me.
The light of the remotest star, do you imagine that it did not know?
Innumerable influences ceased to pour upon us all.
And it was because someone left the attic window open and it
had rained on an old bureau.
II
MINUET
I went from Fifth avenue into the Plaza on a sunny Winter morning.
There on a little stage it was Spring. A shepherdess walked.
Beside a stream girls were tying garlands. A harp was touched.
The shepherdess and her lovers danced a minuet on the
bright emerald of that shining field.
Down by Brooklyn Bridge----
Now this sharp contrast will shock you, but we must not
interrupt the minuet----
I know a place down by Brooklyn Bridge where a woman
(Young, once pretty, still with tender eyes)
Carries water up five flights of stairs to do washing.
I watched the minuet and I thought about that woman.
Did God create two worlds?
Or has man made a world? And can man see that his world is good?
III
THE DINING ROOM
I laid the blue dishes on the table.
The dining room was still and sunny.
Zinnias were in a brown basket,
The grape-fruit plant was glossy in a window.
Skilful fingers had wrought the border of the curtain.
My grand-mother’s blue pitcher was on the sideboard.
There were chestnut leaves in the brown rug.
Barometer and thermometer recorded miracle on the rose wall.
Dark wood paneled and beamed us in together.
As I worked these exquisite patient familiar things let me within.
They let me look with their eyes, feel with their beating
pulses of hurrying molecules.
I perceived how locomotion and consciousness and
self-consciousness have advanced us.
By what means shall we go forward now?
Does anyone wonder at my slow patience as I wonder at the
slow patience of these exquisite and familiar things?
IV
PARADISE AND PURGATORY
Do you ever go into your room and find familiar things unfamiliar.
Muslin curtains thinned by moonlight,
Open window, candle, mirror, expectant chairs,
Long smooth waiting bed--do they not bear another aspect
As if you had divined them doing their duty,
As if to be inanimate clearly involved a process,
As if they were surprised at their creeping task of going
back to earth, rising in plants, quickening into beings.
That is the great work of those patient things.
That is why they look so intent.
So with all your preoccupation in dressing for to-day
Your object is the same as that of these humble ones.
Only you have reached a paradise where you can hasten your way.
But these others are yet in purgatory.
V
AT LEAST ...
Public-domain text, read in full here on John Shaqi.
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