The Secrets of the German War OfficeGraves, Armgaard Karl
History
The Secrets of the German War Office
Graves, Armgaard Karl
Germany -- Foreign relations -- 1871-1918
secrets as the price of their timely assistance.
Abdulla, therefore, might only be one of these hangers-on. Kim
established connections with Mlle. Balniaux's household and soon I
had the required information. He brought me letters and scraps of
paper that Mlle. Balniaux's dark skinned servants had stolen for him.
He supplemented this by conversations that the servants had overheard
and told to Kim. All this showed me that more by good luck I had
stumbled upon the hotbed of the prime mover of the whole intrigue,
Mlle. Balniaux. There was not the slightest hope of intimidating or
buying over this particular lady's allegiance. I had to learn exactly
who was subsidizing her machinations and there was no possibility of
obtaining the clew from her.
I must find the accessible person among her intimate friends. From
time to time I had seen her with a pretty little dark-haired girl who
danced in the Folies Arabic. I learned her name was Cecelia Coursan.
I began to frequent the Folies, a kind of cabaret crowded every night
with Turkish officers. Admiration was no longer a delight to her and
she accepted it with a wooden smile.
The Folies is quite dissimilar from its European or American
prototypes, by reason of its Oriental atmosphere. Most of the year
round it is conducted in the open. Picture a large court, the center
of which is covered with a priceless Smyrna carpet. Seated around on
little divans and silk cushions are the principal native performers,
Neulah girls wearing the teasing Yamashk, covering half their faces
although the rest of their figures are visible through gauzy Damascene
shawls. The European performers, dressed in the latest and most
startling Paris creations, flirt and flitter among the
audience--seated round on dainty marble-topped bamboo tables,
inhaling, in the case of Madame, a dainty "Regie," or if Bey or
Effendi, a Tshibuk or Narghile, gravely drawing on the amber
mouthpiece and slowly exhaling the perfumed smoke. The gorgeous
officers' uniforms, mostly a vivid red, blue and gold; the picturesque
flowing robes and burnouses, with here and there a six-foot stalwart
silk trousered Albanian with gold and silver inlaid daggers and
pistols thrust in his sash, make a picture reminding one of the
Sheherezade.
Observing that everybody was bent on spoiling this popular little
houri by emphatic admiration, I made myself conspicuous by a
peculiarly British stony indifference. Nor was I wrong in my tactics.
The piqued little dancer was not to be ignored.
Public-domain text, read in full here on John Shaqi.
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