The Secrets of the Great City: A Work Descriptive of the Virtues and the Vices, the Mysteries, Miseries and Crimes of New York CityMcCabe, James Dabney
History
The Secrets of the Great City: A Work Descriptive of the Virtues and the Vices, the Mysteries, Miseries and Crimes of New York City
McCabe, James Dabney
New York (N.Y.) -- Description and travel; New York (N.Y.) -- History
The pulpit, which is elevated only three or four steps, stands on the
left-hand of the congregation, close to and in front of the vestry-room
door or passage. The stalls adjoin the organ in a recess on the vestry-
room side, with others facing them on the opposite side for antiphonal
chanting or singing. The lectern, or stand on which the Bible is
placed, for reading the lessons, is on the right side opposite the
pulpit. There is no reading-desk for other parts of the service, as in
most of the Episcopal churches.
The arrangements of the chancel occupy considerable space for a
building no larger than this, and everything is very elaborate and
ornamental. It is elevated by several steps, and inside the rails is
still further raised, so as to bring the communion-table, or altar,
prominently into view. This altar is very large, built against the rear
wall of the church, with a super-altar, having a tall gilded cross in
its centre. The decorations on the wall, and about the chancel-window,
are of the most approved pattern, drawn from the highest authorities in
ritualism and church decoration. These words, in beautiful old English
letter, crown, as it were, the altar in St. Alban's: 'He that eateth
ME, even he shall live by ME.' (John vi. 57.)
On either side of the large gilded cross, on the super-altar, is a
lofty candlestick, with a candle in it, about seven feet high, or
perhaps more. Four other candlesticks, not quite so tall, and four
others, less lofty than these, again, are on each side of the altar by
the wall; and, standing in the chancel, some little distance from the
wall, on the right and left hand, are candelabras, with branches,
holding some twenty candles each. None of these were lighted when I
entered. Soon after, the bell having stopped ringing, the organ began a
voluntary, on a low note, introductory to the opening of the service.
Presently, the introcessional hymn was begun, and then, emerging from
the vestry-room door or passage, the first thing visible was a large
wooden cross, which had to be lowered to get it through the passage,
and which, when elevated, reached some six feet above the head of the
small boy who carried it, and was, of course, in full view of the
congregation. This boy, and others following, had on white robes, or
surplices. Two of the boys carried banners, with devices, and all, with
a number of adult choristers, advanced slowly towards the chancel,
singing the introcessional. Last of all came the three officiating
priests, or ministers, with purple-velvet, crown-shaped caps on their
heads, and white garments, made like sacks, and ornamented with various
colors and symbols. Profound obeisances were made towards the altar;
the hymn was ended; the choristers took their places; and one of the
priests, on arriving in front of the chancel-rail, began the intoning
of the Litany. Morning Prayer had been said at an earlier hour.
Public-domain text, read in full here on John Shaqi.
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