The Seminole Indians of Florida: Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1883-84, Government Printing Office, Washington, 1887, pages 469-532MacCauley, Clay
History
The Seminole Indians of Florida: Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1883-84, Government Printing Office, Washington, 1887, pages 469-532
MacCauley, Clay
Seminole Indians -- History; Seminole Indians -- Social life and customs
_Fire making._--The art of fire making by simple friction is now, I
believe, neglected among the Seminole, unless at the starting of the
sacred fire for the Green Corn Dance. A fire is now kindled either by
the common Ma-tci (matches) of the civilized man or by steel and flint,
powder and paper. “Tom Tiger” showed me how he builds a fire when away
from home. He held, crumpled between the thumb and forefinger of the
left hand, a bit of paper. In the folds of the paper he poured from his
powder horn a small quantity of gunpowder. Close beside the paper he
held also a piece of flint. Striking this flint with a bit of steel and
at the same time giving to the left hand a quick upward movement, he
ignited the powder and paper. From this he soon made a fire among the
pitch pine chippings he had previously prepared.
[Illustration: Fig. 74. Hide stretcher.]
_Preparation of skins._--I did not learn just how the Indians dress deer
skins, but I observed that they had in use and for sale the dried skin,
with the hair of the animal left on it; the bright yellow buckskin, very
soft and strong; and also the dark red buckskin, which evidently had
passed, in part of its preparation, through smoke. I was told that the
brains of the animal serve an important use in the skin dressing
process. The accompanying sketch shows a simple frame in use for
stretching and drying the skin. (Fig. 74)
Ornamental Arts.
In my search for evidence of the working of the art instinct proper,
i.e., in ornamental or fine art, I found but little to add to what
has been already said. I saw but few attempts at ornamentation beyond
those made on the person and on clothing. Houses, canoes, utensils,
implements, weapons, were almost all without carving or painting. In
fact, the only carving I noticed in the Indian country was on a pine
tree near Myers. It was a rude outline of the head of a bull. The local
report is that when the white men began to send their cattle south of
the Caloosahatchie River the Indians marked this tree with this sign.
The only painting I saw was the rude representation of a man, upon the
shaft of one of the pestles used at the Koonti log at Horse Creek. It
was made by one of the girls for her own amusement.
I have already spoken of the art of making silver ornaments.
_Music._--Music, as far as I could discover, is but little in use among
the Seminole. Their festivals are few; so few that the songs of the
fathers have mostly been forgotten. They have songs for the Green Corn
Dance; they have lullabys; and there is a doleful song they sing in
praise of drink, which is occasionally heard when the white man has sold
Indians whisky on coming to town. Knowing the motive of the song, I
thought the tune stupid and maudlin. Without pretending to reproduce it
exactly, I remember it as something like this:
[Illustration: Music]
My precious drink, I fondly love thee.
Standing I take thee. And walk until morning. Yo-wan-ha-de.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account