The Sense of Beauty: Being the Outlines of Aesthetic TheorySantayana, George
Philosophy
The Sense of Beauty: Being the Outlines of Aesthetic Theory
Santayana, George
Aesthetics
Sec. 62. Wit also depends upon transformation and substitution of
ideas. It has been said to consist in quick association by similarity.
The substitution must here be valid, however, and the similarity
real, though unforeseen. Unexpected justness makes wit, as sudden
incongruity makes pleasant foolishness. It is characteristic of wit to
penetrate into hidden depths of things, to pick out there some
telling circumstance or relation, by noting which the whole object
appears in a new and clearer light. Wit often seems malicious
because analysis in discovering common traits and universal
principles assimilates things at the poles of being; it can apply to
cookery the formulas of theology, and find in the human heart a
case of the fulcrum and lever. We commonly keep the departments
of experience distinct; we think that different principles hold in
each and that the dignity of spirit is inconsistent with the
explanation of it by physical analogy, and the meanness of matter
unworthy of being an illustration of moral truths. Love must not be
classed under physical cravings, nor faith under hypnotization.
When, therefore, an original mind overleaps these boundaries, and
recasts its categories, mixing up our old classifications, we feel that
the values of things are also confused. But these depended upon a
deeper relation, upon their response to human needs and
aspirations. All that can be changed by the exercise of intelligence
is our sense of the unity and homogeneity of the world. We may
come to hold an object of thought in less isolated respect, and
another in less hasty derision; but the pleasures we derive from all,
or our total happiness and wonder, will hardly be diminished. For
this reason the malicious or destructive character of intelligence
must not be regarded as fundamental. Wit belittles one thing and
dignifies another; and its comparisons are as often flattering as
ironical.
The same process of mind that we observed in wit gives rise to
those effects we call charming, brilliant, or inspired. When
Shakespeare says,
Come and kiss me, _sweet and twenty,_
Youth's a stuff will not endure,
Public-domain text, read in full here on John Shaqi.
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