The Sense of Beauty: Being the Outlines of Aesthetic TheorySantayana, George
Philosophy
The Sense of Beauty: Being the Outlines of Aesthetic Theory
Santayana, George
Aesthetics
Even the scientific value of truth is not, however, ultimate or
absolute. It rests partly on practical, partly on aesthetic interests.
As our ideas are gradually brought into conformity with the facts
by the painful process of selection, -- for intuition runs equally into
truth and into error, and can settle nothing if not controlled
by experience, -- we gain vastly in our command over our
environment. This is the fundamental value of natural science, and
the fruit it is yielding in our day. We have no better vision of
nature and life than some of our predecessors, but we have greater
material resources. To know the truth about the composition and
history of things is good for this reason. It is also good because of
the enlarged horizon it gives us, because the spectacle of nature is
a marvellous and fascinating one, full of a serious sadness and
large peace, which gives us back our birthright as children of the
planet and naturalizes us upon the earth. This is the poetic value of
the scientific _Weltanschauung._ From these two benefits, the
practical and the imaginative, all the value of truth is derived.
Aesthetic and moral judgments are accordingly to be classed
together in contrast to judgments intellectual; they are both
judgments of value, while intellectual judgments are judgments of
fact. If the latter have any value, it is only derivative, and our
whole intellectual life has its only justification in its connexion
with our pleasures and pains.
_Contrast between moral and aesthetic values._
Sec. 3. The relation between aesthetic and moral judgments, between
the spheres of the beautiful and the good, is close, but the
distinction between them is important. One factor of this
distinction is that while aesthetic judgments are mainly positive,
that is, perceptions of good, moral judgments are mainly and
fundamentally negative, or perceptions of evil. Another factor of
the distinction is that whereas, in the perception of beauty, our
judgment is necessarily intrinsic and based on the character of the
immediate experience, and never consciously on the idea of an
eventual utility in the object, judgments about moral worth, on the
contrary, are always based, when they are positive, upon the
consciousness of benefits probably involved. Both these
distinctions need some elucidation.
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