The Sense of Beauty: Being the Outlines of Aesthetic TheorySantayana, George
Philosophy
The Sense of Beauty: Being the Outlines of Aesthetic Theory
Santayana, George
Aesthetics
Sec. 25. Another beauty of the sky -- the stars -- offers so striking and
fascinating an illustration of the effect of multiplicity in uniformity,
that I am tempted to analyze it at some length. To most people, I
fancy, the stars are beautiful; but if you asked why, they would be
at a loss to reply, until they remembered what they had heard about
astronomy, and the great size and distance and possible habitation
of those orbs. The vague and illusive ideas thus aroused fall in so
well with the dumb emotion we were already feeling, that we
attribute this emotion to those ideas, and persuade ourselves that
the power of the starry heavens lies in the suggestion of
astronomical facts.
The idea of the insignificance of our earth and of the
incomprehensible multiplicity of worlds is indeed immensely
impressive; it may even be intensely disagreeable. There is
something baffling about infinity; in its presence the sense of finite
humility can never wholly banish the rebellious suspicion that we
are being deluded. Our mathematical imagination is put on the rack
by an attempted conception that has all the anguish of a nightmare
and probably, could we but awake, all its laughable absurdity. But
the obsession of this dream is an intellectual puzzle, not an
aesthetic delight. It is not essential to our admiration. Before the
days of Kepler the heavens declared the glory of God; and we
needed no calculation of stellar distances, no fancies about a
plurality of worlds, no image of infinite spaces, to make the stars
sublime.
Had we been taught to believe that the stars governed our fortunes,
and were we reminded of fate whenever we looked at them, we
should similarly tend to imagine that this belief was the source of
their sublimity; and, if the superstition were dispelled, we should
think the interest gone from the apparition. But experience would
soon undeceive us, and prove to us that the sensuous character of
the object was sublime in itself. Indeed, on account of that intrinsic
sublimity the sky can be fitly chosen as a symbol for a sublime
conception; the common quality in both makes each suggest the
other. For that reason, too, the parable of the natal stars governing
our lives is such a natural one to express our subjection to
circumstances, and can be transformed by the stupidity of disciples
into a literal tenet. In the same way, the kinship of the emotion
produced by the stars with the emotion proper to certain religious
moments makes the stars seem a religious object. They become,
like impressive music, a stimulus to worship. But fortunately there
are experiences which remain untouched by theory, and which
maintain the mutual intelligence of men through the estrangements
wrought by intellectual and religious systems. When the
superstructures crumble, the common foundation of human
sentience and imagination is exposed beneath.
Public-domain text, read in full here on John Shaqi.
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