The Sense of TasteHollingworth, Harry L. (Harry Levi)
Science
The Sense of Taste
Hollingworth, Harry L. (Harry Levi)
Taste
Vocabularies do not develop in order that structural and functional
facts may be recorded for the information of forthcoming scientists.
Words arise in response to the demands of practical life. It is
practically more important that some substances “taste good,” and others
“taste bad,” than that there are just four elementary taste qualities.
Hence for certain primitive circumstances two taste words are all that
are needed in ordinary conversation. It by no means follows from this
that the salt, sour, and bitter, which all fall in the “bad taste”
category, are not discriminable from one another by the taste organs of
the savage. It would be just as cogent to insist that, since we have
only one word for the taste of various sour things, all of these various
tastes must be indistinguishable to us.
Nor is the argument safe that those sense qualities for which specific
names exist must be more ancient than those qualities for which names
are borrowed. Many of our color names are not primarily color names at
all,—as violet, rose, olive, turquoise, lemon, straw, orange, and,
perhaps, pink and green. Red, blue, and yellow seem to be more
essentially color names. Yet, it is difficult to suppose that an
organism sensitive to red and yellow should not also be sensitive to
orange, which may be produced by a mixture of red and yellow light.
In the case of the odors, which we have every reason to believe are
extremely ancient sense qualities, we have in our own language almost no
exclusively olfactory names. Smells are designated by the objects with
which they are associated,—as lilac, lavender, musk; or names are
borrowed from other sensory modes, as sweet, sour, heavy; or still more
descriptive and perceptual names are used, such as fresh, flat, rancid,
foul, nauseating. Interesting as the vagaries of vocabulary may be, they
yield very little information concerning the primitiveness,
elementariness, sensitiveness, or distribution of the various taste
qualities.
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CHAPTER II
THE ORGANIZATION OF THE TASTES
_System and Organization in Other Senses_
IN the case of some of the sensory modes it is possible to arrange the
various elementary qualities in a schema or graph, representing in a
diagrammatic way their relations to each other, the results of their
combination, their influence on each other, etc.
Public-domain text, read in full here on John Shaqi.
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