The Sense of TasteHollingworth, Harry L. (Harry Levi)
Science
The Sense of Taste
Hollingworth, Harry L. (Harry Levi)
Taste
In none of these cases has there been presented clear evidence showing
the ability of one quality to totally efface another, so that no taste
whatever is present. In the case of colors, however, the result of such
combinations in the right proportions may easily be a total absence of
color quality. It is true that occasional instances of such effects in
taste have been reported, but the general rule seems to be that the
extreme degree of neutralization leaves an experience which is
recognized as a taste, but which is described as “flat” or as “insipid.”
It is possible, of course, that this “insipid” taste quality is the
tactile and kinæsthetic residue of the total experience, much as the
“gray” which results from the combination of complementary colors may be
described as the brightness residue of the total momentary effect. But
in the latter case the residue would be distinctly “visual” although not
“color.” In the case of taste nothing corresponding to the “brightness”
of vision is recognized, and the residue as we have described it would
consequently belong to a different mode of sensation.
_Contrast Phenomena_
The phenomena known as contrast are very familiar sense experiences. Not
only is it true that in the fields of perception and feeling the tall,
the good, the wholesome, the fast, the daring, and the pleasant have
their qualities enhanced when they accompany or follow upon the
diminutive, the wicked, the foul, the slow, the cowardly, and the
disagreeable; in the case of more simple sense experiences also contrast
effects are often both immediate and striking. The apparent temperature
of the air or water varies with the conditions from which we emerge into
them. The sudden calm after a thunderstorm seems even more empty than
the same conditions in Indian summer. The palest complexion assumes a
moderate rosiness if green ribbons and fabrics are suitably arranged
about or near it. Even a pure gray strip of paper becomes a rich pink
line or a yellowish band when placed across a background of saturated
green or blue.
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