The Sense of TasteHollingworth, Harry L. (Harry Levi)
Science
The Sense of Taste
Hollingworth, Harry L. (Harry Levi)
Taste
In the case of our second general question, that concerning the amount
of change in the strength of solution required to produce a felt
difference in the intensity of the taste sensation, various difficulties
are involved. In the first place, there is no known way of measuring the
intensity of that mode of stimulation which may be responsible for the
excitation of the taste bud. In such cases as the sensibility to weight
and light it is easily possible to measure the intensity of the stimulus
in terms of pounds, candle power, or similar physical units. In the
cases of temperature and sound the problem is much more difficult, since
we do not know precisely what aspect of the stimulus should be used as
indicating the intensity of the process at the point of stimulation.
Taste and smell offer still greater difficulties, inasmuch as we do not
know even with moderate certainty the real nature of the
stimulation,—whether, for example, it be mechanical or chemical, or
both. Consequently, although it is possible to state that in general a
change in the stimulus intensity required to produce a sensation change
which will be correctly reported in a certain percentage of the trials
is 1% for light, 33% for sound, 5% for lifted weights, no such
coefficients of change can even be suggested for taste and smell. Only
the general statement can be made that, within limits, increased
strength of solution means increased intensity of sensation.
_Adaptation and Fatigue_
Curious phenomena in the case of all the senses are those known as
adaptation and fatigue. It is a familiar experience that the
illumination of a room which seems upon entrance to be yellowish quickly
comes to appear merely light. After a few minutes wearing colored
goggles the tinge they give to objects seems to disappear and we say we
have become “adapted” to the color. “We become rapidly adapted to a
constant stimulus so that we fail to notice the weight of our hats, the
temperature of the room we are in, the odors of the subway.” Searching
for spectacles which meanwhile perch upon the nose is the result of
adaptation. A related phenomenon is the fact that a darkened room which
on entrance seems perfectly black comes in time to show its contents as
more or less clearly marked off from one another.
Some adjustment—in the sense organs, perhaps, or perhaps in the brain
centers—takes place in the presence of a constant stimulus. The general
result of this adjustment is that the particular sense quality involved
fades away: colors tend toward gray, pressures tend to disappear,
temperatures tend toward a neutral point, and sounds become indifferent.
This adjustment is not fatigue in the usual sense of the word. The area
that has become adapted to a given pressure is still sensitive and will
feel even a lighter weight if this be substituted for the one to which
it has become adapted. It is adapted to a continuous stimulus, but it is
sensitive to any change in the stimulus.
Public-domain text, read in full here on John Shaqi.
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