The gate opened noiselessly to the signal of its electronic brain when
the winning ticket was fed into a slot. Hendley faced a long row of
small concrete units, each with a single door. There were no windows,
but there were open air curtains between the horizontal wall line of
each unit and its curving roof shell. The air curtain would keep out
heat and cold, but it failed to smother all sounds. Walking along the
path Hendley heard giggling laughter and small, muted, unidentifiable
rustlings and murmurs. A small panel of light beside each door
illuminated a number. He walked quickly in the shadow of the high wall
until he came to the unit marked 11.
The room was a simple rectangle with a built-in bed, seat bench, and
clothes rack. Its interior was dim, catching only the light from the
night sky and the stars, visible through the arches of the air curtains
at front and rear. There was a connecting door in the right wall.
Hendley heard water running. He waited, his heart beating rapidly.
When the girl emerged from the washroom its light panel was behind her,
throwing the slender contours of her body into sharp relief. The light
began to fade automatically, controlled by the opening of the door.
In a moment it disappeared. Hendley neither moved nor spoke. Had she
recognized him? Or were her eyes still adjusting to the main room's dim
light? He felt an absurd relief that her nude body bore no stain of red.
She took a sudden step forward, one hand reaching out. Halting, she
seemed to shiver. "Oh, no!" she whispered. "No!"
Hendley's voice was harsh. "Yes, it's me."
"But how--?" She was bewildered. "What are you doing here? You're a
3-Dayman. You couldn't be here!"
Hendley laughed without humor. "No, I'm not a Freeman. I'm a visitor.
Therapy. It was supposed to be good for my morale. I'm learning all
about freedom." He stared at her deliberately. "You're one of the
special pleasures I didn't know about."
She turned away, trying to cover herself with her hands and arms.
The gesture was pathetic and appealing. His instinctive compassion
angered him. "Why are you so modest now?" he demanded. "You didn't mind
parading on that stage!"
"That was different. That's--part of my work."
"Work!"
She whirled. "Yes! What did you think it was? Fun? Maybe it's fun for
you--for the people out there watching. I don't know about them. I
don't even see them! It's just an assignment for me. It's what I have
to do."
"You know about the men who come to these rooms--you see them!"
"Yes," she said, her voice dull and flat. "I know about them. Not just
men. Some of the winners are women. And some of them are worse than the
men."
He stepped forward quickly. Seizing her by a bare shoulder, he swung
her around. His hand withdrew as if burned by the warm flesh. "Why do
you do it?" he cried, "In the name of the Organization, why?"
Her reply was caustic. "In the name of the Organization. Why else would
I do it?"
"What does that mean?"
Public-domain text, read in full here on John Shaqi.
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