The Serapion Brethren, Vol. I.Hoffmann, E. T. A. (Ernst Theodor Amadeus)
General
The Serapion Brethren, Vol. I.
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
loudly and excitedly; another male voice, to judge by the tone of it,
bitterly reproaching him about something, and a woman intervening as
best she could tearfully, in broken phrases. Krespel screamed louder
and louder, till at last he broke into that horrible _singing_ tone
which you know. A loud shriek from the lady interrupted him: then all
was as still as death; and suddenly steps came rapidly down the stairs,
and a young man came out, sobbing, and, jumping into a carriage which
was standing near, drove rapidly away.
"'The next day Krespel appeared quite in his ordinary condition, as if
nothing had happened, and no one had the courage to allude to the
events of the previous night; but the housekeeper said Krespel had
brought home a most beautiful lady, quite young; that he called her
Antonia, and that it was she who sung so splendidly; and that a young
gentleman had also come, who seemed to be deeply attached to Antonia,
and, as she supposed, was engaged to her; but that he had had to go
away, because Krespel had insisted on it. What Antonia's precise
position with respect to Krespel is, remains a mystery; at all events
he treats her in the most tyrannical style. He watches her as a cat
does a mouse, or as Dr. Bartolo, in _Il Barbiere_, does his niece. She
scarcely dares to look out of the window. On the rare occasions when he
can be prevailed upon to take her into society, he watches her with
Argus-eyes, and won't suffer a note of music to be heard, far less that
_she_ shall sing; neither will he now allow her to sing in his own
house; so that, since that celebrated night, Antonia's singing has
become, for the people of the town, a sort of romantic legend, as of
some splendid miracle, and even those who never heard her often say,
when some celebrated prima-donna comes to sing at a concert, 'Good
gracious! what a wretched caterwauling all this is, nobody can _sing_
but Antonia!'
"You know how anything of this sort always fascinates _me_, and you can
imagine how essential it became to me that I should make Antonia's
acquaintance. I had heard those sayings of the public about Antonia's
singing often, but I had had no idea that this glorious creature was
there, on the spot, held in thraldom by this crack-brained Krespel, as
by some tyrant enchanter. Naturally, that night, in my dreams I heard
Antonia singing in the most magnificent style; and as she was imploring
me, in the most moving manner, to set her free, in a gloriously lovely
_adagio_--absurdly enough, it seemed as if I had composed it myself--I
at once made up my mind that, by some means or other, I would make my
way into Krespel's house, and, like another Astolfo, set this Queen of
Song free from her shameful bonds.
Public-domain text, read in full here on John Shaqi.
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